暂无简介
网络电视剧‘恶童侦探s’讲述了两个小时候遗失了父母冒冒失失的高校侦探鳌城（安炯燮饰）和汉阴（柳善皓饰）还有收留他们两个人的实际上的监护人女刑事真静（金南珠饰），这三个人一起追查并解决与父母的失踪相关的黑暗判决而展开的故事，是一部学院侦探作品。
叶小萌（安以轩 饰）经营着一间茶餐厅，身为处女座的她对感情有着非常高的要求，所以年近三十依然形单影只。美食杂志主编冷安（安宰贤 饰）也是处女座，但他却是个游戏人间的花花公子，身边莺莺燕燕从未断绝。可实际上，没有一个人能够走进冷安的内心。 一次偶然中，叶小萌结识了名为大卫（方中信 饰）的西餐厅总经理，大卫因为未婚妻琳达的落跑一直耿耿于怀，巧合的是，叶小萌和琳达有着相似之处。就这样，叶小萌和大卫渐渐走到了一起，然而，琳达的存在是叶小萌内心里一根永远的刺。某日，冷安震惊的发现自己竟然失去了味觉，以此为契机，叶小萌和冷安之间渐渐熟悉了起来。
该剧讲述了男女主角苏之念与宋青春之间心疼又心醉、相伤又相守的爱情故事：电视台当家花旦宋青春遭遇人生滑铁卢，为了复兴家业、重塑自我，她不得不暂时向命运投降，与“童年阴影”苏之念签订合约，并接受“魔鬼训练”，而两人也由此展开了一段“苦不堪言”却又“甜如蜜糖”的同居生活……
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
由于父母大都去南方城市打工，村中剩下的全是老人和儿童，小学教师易明堂（易志兵 饰）不忍这些孩子重蹈父辈的路，决定开办一所家庭幼儿园，教孩子们学文化，下岗的妻子（何伟欣 饰）当园长，初中生李响（谢媛 饰...
楠竹是个富二代兼赛车手,家里超级有钱,但是爷爷不幸去世,一群人等着分遗产,坑爹的家族纠缠肯定成为一个大背景了,各种宫廷戏的女人们也纷纷登场了,所以嫉妒楠竹的人们要杀了他,也许是为财?也许是为情而生的嫉妒?于是乎,女主角有了登场的诱因,通过种种并不错综复杂的关系,女主就从别人的保镖转做楠竹的贴身护卫了,各种武艺高强,各种披荆斩棘,各种化险为夷……
乌龙山村民周正平与黄小花相爱，两家族长辈反对一次村民大会上，前来报恩的马总提出要举办乡村电影节可以招商引资，解决村里青壮年的就业问题，同时借机调和两族矛盾。两个家族出于荣誉，都想拍出最好的电影，于是各自开始组织筹备，也各种手段阻挠对方。然后双方在一步一步地克服困难，完成拍摄的时候，黄小花却发生了意外。双方互相指责，却又一起解决，究竟二人能否终成眷属？电影节又是否能顺利完成呢？
放学后的新华小学，校园里一片寂静。新来的校长林征正从校园里走过，突然听到争吵声。寻声望去，他发现五年级的学生华小川和方明珠正在争吵。原来，方明珠接受班主任江老师的任务，监督迟到的华小川受罚做值日，华小川的哥们儿张晨要来帮忙，方明珠坚决不允许，双方争吵起来。林校长感到把劳动当作惩罚是错误的，无法让学生认识自己的错误，更无法让他们了解教育与劳动相结合的重要性。在党的会议上，林校长传达了市委的指示，学校要搞勤工俭学，新华小学是全市试点学校之一，并决定让少先队辅导员洪大为具体负责。但江老师强调儿童的心理特征和教学经验，坚持认为学校必须加强课堂教育，不能搞勤工俭学。不久，学生们参加了运轮胎的劳动，劳动锻炼了老师、家长和同学们。第二天，有三个同学请病假，这下江老师更有了借口。林校长和教导主任到学生家进行家访，才知道是因为有些家长溺爱孩子，不愿意让孩子参加劳动。市委刘书记肯定了他们的成绩，指导他们继续开展勤工俭学。在劳动中，华小川从哥哥那里学会了制造钉子，他和另外几个孩子悄悄动手造了一批钉子。江老师发现孩子们身上带有钉子，但谁也不肯说出来是怎么回事，江老师伤心得病倒了。在学校党支部和家长们的帮助下，孩子们办起了钉子厂、半导体厂和玩具厂，勤工俭学活动轰轰烈烈地在学校里开展起来了。孩子们在劳动中受到了教育，江老师也认识到了勤工俭学的重大意义。溺爱孩子的家长——金大宝的父亲要为建筑水电站采购钉子，学校的钉子厂如数供应，使他也深深地受到了教育。
出品、摄制单位:长春电影制片厂许可证号声音制式幅别遮福电审故字12以刀]第015号单声道片长5(本)2473米编剧高敬云布雅木其导演胡明钢摄影胡祖光制片八一王洪奇主要演员苏立德谢芳盖克葱音张巴主要内容加拿大的华裔女青年梁丹妮从小就被母亲那优美的歌声所吸引。长大后，她来到草原寻找心中的天籁，邂逅了蒙古族青年朝克和他的舅舅牧人歌手青格勒，两个青年人很快坠人爱河。当双方家长知道对方的身份后，坚决反对这门婚事。原来丹妮的母亲白梅就是当年下乡到此地的知青，她和青格勒有过一段恋情，后来她去加...
