「ウルトラマン」シリーズの原点となった空想特撮シリーズ第1弾「ウルトラQ」の新シリーズ「ネオ・ウルトラQ」が13年にWOWOWで放送されることが17日、明らかになった。「ウルトラQ」の誕生から47年目の“セカンドシーズン”放送となる。また「ウルトラマン」「ウルトラセブン」のハイビジョンリマスター版が12年8月と同冬にそれぞれ放送されることも発表された。
Coming as it does from the depths of the Stalinist regime, the Russian Road to Life is a remarkably optimistic film. A host of nonprofessional children are cast as Moscow street kids, left homeless by the Bolshevik revolution. They get into all sorts of melodramatic scrapes until they're rounded up by kindly, altruistic Soviet functionaries. The children are reformed (in the nicest possible way) and made useful members of society. Road to Life is simplistic in its solutions to society's problems, albeit no more so than the usual Hollywood product from the same period.
身为特战队员的张天择在一次缉毒任务“驱魔行动”中误伤了自己的战友，陷入深深自责的张天择选择离开特战队。机缘巧合成为了富豪千金小雅的贴身保镖，两人渐渐成为了忘年交。但好景不长，曾经的犯罪团伙余孽绑架了小雅，并要挟张天择二十四小时内必须将毒品红粉骷髅的配方磁盘找到并交出来。张天择能不能找到红粉骷髅磁盘？能不能成功解救小雅？一场特战风暴即将拉开序幕。
故事讲述生活在日本九州田舍的17岁少女?铃芽遇见了为了寻找“门”而踏上旅途的青年。追随着青年的脚步，铃芽来到了山上一片废墟之地，在这里静静伫立着一扇古老的门，仿佛是坍塌中存留的唯一遗迹。铃芽仿佛被什么吸引了一般，将手伸向了那扇门… 不久之后，日本各地的门开始一扇一扇地打开。据说，开着的门必须关上，否则灾祸将会从门的那一边降临于现世。
《白发魔女传》由梁羽生同名小说正版授权改编。重新演绎白发魔女练霓裳与武当掌门卓一航的经典爱恨情仇故事，浓墨重笔明末乱世从庙堂到江湖的纷扰武林争斗…… 明末，皇上病重，东厂魏公公（徐少强 饰）妄图夺权。武当弟子卓一航（施俊喆 饰）奉命护送红丸给皇上治病，途中被明月寨人袭击。交锋中，卓一航发现袭击者是自己儿时所救的狼女练霓裳（张维娜 饰），两人相认，互表心意，相约浪迹天涯。然而，爱人却敌不过奸人陷害，卓一航误会练霓裳杀害武当掌门。练霓裳被捕入狱，伤心欲绝一瞬白头，武力大增……
送外卖的中二屌丝骑手郑乾少，梦想自己有一天能在大城市买车买房娶老婆，励志靠直播成为网红“钱少爷”尽快致富，没想到在一次直播过程中，卷入了一场追杀事件，邂逅了被追杀的富家女叶小星，从此郑乾少的平静生活不再平静，心被这个女孩儿“挖走”，命运变得朴树迷离叶小星是凭着玉佩去找她的父亲，路上被人追上抢玉佩，逃跑中迷迷糊糊躲进了郑乾少家里晕倒，叶小星就这样被郑乾少救了。但随后发生的事情又使得两个善良的人发生了误会，经历了种种事情，终于有情人终成眷属，小星也找到了亲生父亲。
This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream. Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge... What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent. It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!
Although the evidence appears to be overwhelming in the strangulation murder of a blackmailer, Miss Marple's sole 'not guilty' vote han gs the jury 11-1. She becomes convinced that the real murderer is a member of a local theatrical troupe, so she joins them in order to gather information. The clues lead back many years to a single disastrously unsuccessful 1951 performance of a dreadful play written by the group's hammy director, H. Driffold Cosgood. Although at that time, several of the current cast members were only children, more murders follow before Miss Marple ultimately exposes the killer. 英国影片。片长90分，根據Mrs. McGinty's Dead改編，原著是波羅故事。因影片将主角变为马普尔小姐和剧情的更改引起原小說作者克里斯蒂强烈不满，影片本身也遭遇票房和评论惨败。主演Margaret Rutherford还出演過另外3部以马普尔小姐为主角的电影，其中1部亦是根据波洛故事改编(「葬礼之后」)，另1部是原创剧本。80年代在多部电视剧中扮演塔彭丝的Francesca Annis也在本片中扮演一个小角色。
在墨西哥城黑暗的犯罪世界，寻求更好生活的女子卷入在线陪游网络，未料到这会导致一连串杀害女性的事件。
丧尸危机爆发后，一家人躲到一处偏僻的农场。然而，当他们在这个荒凉的世界求生时，隐藏多年的痛苦秘密给这家人造成了巨大阴影。
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