喜羊羊与灰太狼意外被带到了未来世界,为了回到自己的时空,二人与未来的小羊们收集分散的象星石碎片。但过程中,一神秘反派也派遣厉害的手下来抢夺碎片,于是双方势力开展了精彩纷呈的碎片争夺战。
《附身》名利双收的人气女作家仓田圣美(松下奈绪饰)受邀参加高中同学及川真砂子(中越典子饰)的婚宴,可是在那幢阴森诡异的旅馆内,她却体验到一段恐怖的经历;《猜拳》某建筑公司新员工真田贤辅(三浦春馬饰)是个猜拳永远失败的男子,为了改变这样的命运,他来到神秘的猜拳道场进行特训;《药片》面对时常哭闹却不明原因的小宝宝,年轻的妈妈安田千秋(水川あさみ饰)烦恼不已,一种神奇的药片,让她意外获得了能听懂婴儿语言的能力;《掏耳勺》暗黑之街,身穿风衣的杀手(浅野忠信饰)不慎将耳挖勺插到了耳蜗深处;《被欺负的人》转学生永濑日菜子(大後寿々花)经常帮助被欺负的堂岛百合(志田未来饰),百合发现日菜子可能是一个专门代替别人被欺负的机器人。
当Sadie发现男友凯文和自己最好的朋友有一腿时,Sadie设计了一个“浪漫”的周末,一个只有他们三人的聚会,聚会充斥恐怖、扭曲的性心理游戏。陷阱已经布好了......被蔑视的女人发起怒来比任何人都要可怕!
一部劇情電影,描繪了一對被工作中的身體愉悅所愚弄的夫婦的報複。
【每周二晚放送/ Hulu原创故事放送中】 【电影×电视剧×Hulu】 我们在战斗。为了什么?黑色的校规。为了拯救恋爱中的那个孩子!为了得到真正的自由!2名男子高中生与被黑校规束缚的一名女学生,为了解放全校学生的心,以异想天开、独特的方法与黑校规展开战斗!
影片《鸡皮疙瘩》是根据R.L.斯坦的同名畅销丛书《鸡皮疙瘩》改编而来的。《鸡皮疙瘩》丛书是90后群体的一大童年记忆,故事中充斥黑暗恐怖的元素,同时超级反转的结局也让人印象深刻。电影不仅截取了书中的故事,更将作者R.L.斯坦融入情节之中。杰克·布莱克就将扮演丛书的作者斯坦。影片的故事讲述了迪兰·米内特饰演的邻居家男孩在一次偶然中,将斯坦书里奇幻而恐怖的生物带到了真实世界。为了避免这些数量巨大的恐怖怪物毁灭宁静的小镇,斯坦必须联合他的邻居和女儿进行殊死抵抗······
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数月前军情六处一块记载了潜伏于全世界恐怖组织内部所有特工名单信息的硬盘丢失,而追索硬盘的行动也以失败告终。在此之后,行动主要负责人M(朱迪·丹奇 Judi Dench 饰)被高层解雇,而军情六处也遭到...
Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.