在火星发现的神秘箱子――“潘多拉魔盒”打开的瞬间，巨大的墙壁突然出现！故事由此开始。被称为“天空之墙”的墙壁把日本列岛分割为三部分，并由此诞生了各自的首都「东都」「西都」「北都」。其中在“东都”有被称为Smash的未确认生命体出现并暗中把人类逼入绝境。挡在Smash面前而出现的，是一位青年，其腰上戴着腰带、手上握着不可思议的瓶子。「变身！」――青年天才物理学者变身为假面骑士Build，阻挡在Smash的面前！
Zombieverse是一档真人秀系列节目，设定在韩国首都首尔。在节目中，一组幸存者必须团结一致，寻找水源、食物、交通工具和庇护所以求生。参赛者每天都会被分配不同的任务，完成这些任务可以获得所需的物资。如果其中任何一个人被“咬伤”，他们必须被留下。
1964年，三名年轻以色列特工报称剷除了绰号「比克瑙医生」的集中营刽子手，回国时受到英雄式的欢迎。四十年后，队员薛夫突然造访当时已成为名作家的女战友丽楚，告知她「医生」仍然在生，并住在乌克兰的一家老人院内。薛夫要求丽楚把这「任务」完成。丽楚回忆那段在柏林的青葱岁月，三人奉命要把纳粹战犯生擒到以色列受审。但任务并不是如他们对外报告般顺利，三人更决意将这秘密永远隐藏，无奈当年的债到今天仍要偿还。
一个有着无限的乐观和独特的视角的十二岁女孩，被学校的一个陌生的男孩启发，决定开始修补她破裂的家庭——不管要付出多大的代价。
在首尔近郊开了间民宿。从事服装业的丈夫经常出差。
贾斯汀从国外回来，希望与他放弃收养的亲生女儿重新联系。当他发现他的父亲把家里的小屋留给了他的继妹妹时，他的计划出了问题。
《真假济公》讲述降龙尊者济公，在降龙罗汉修炼仙阶最后一层时感知白水镇百姓有难，决心舍弃修炼以只剩一成法力的情况下，只身来到白水镇降妖，遇到假冒济公的故事。
1945年8月，已进入尾声的战争蔓延到了我国西南山区。一所平静的修道院里，见习修女黎姐妹（舒淇 饰）与秦姐妹（吴辰君 饰）性格活泼，不合规范，所幸和蔼的老院长对这对儿山村遗孤始终照顾有加。8月10日，一队中国军人带着受伤的战友向修道院求助，他们由于不熟悉地形迷路，炸毁日军火炮阵地的任务一时也无法完成，黎姐妹与秦姐妹自告奋勇担任向导，不谙世事的两人很快见识了战争的残酷，随这支小分队一起经历了同日军的遭遇战。黎姐妹不忍抛弃遇害的乡亲尸身，被埋伏的日军抓获，战士们涉险将其救出，但却暴露了行踪。战士们成功完成了任务，而等待他们的却是日军对修道院的报复，虽然处于人数劣势，但他们毅然决定出击……
3月31日 21-22赛季NBA常规赛 魔术VS奇才
Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
《追时代》以广州茶楼老板钱炳燊一家为贯穿人物，每一集都有一个相对独立的故事，旨在表现湾区生活的丰富多彩。《追时代》创作团队瞄准了我们这个时代的热点、潮点、焦点、亮点。一个“追”字，既是剧作特点，也是我们当今生活的主题词。
