改编自金庸名著《神雕侠侣》，张国荣与翁静晶饰演杨过与小龙女。故事描述小龙女与杨过本于古墓中融洽生活；但小龙女遭尹志平迷奸，误以为失身于杨过；杨不知就里婉拒婚议，龙愤然出走。后杨与龙重逢，重提婚事，却遭黄蓉(刘雪华)劝阻……
两个长相极之相似，但性格异端的女孩，巧逢相遇后，发展出一段难忘的童年之交；惟命运安排她们走上迥异的生命道路，其后的重逢竟是一次死亡的接触。 清纯温婉的文婷（李嘉欣）与好友家杰（刘锡明），同在十四乡渡过童年生活。直至某天，来了个貌似文婷而性格刚强的女孩范莲（李嘉欣），他们三人的生命历程即起了变化，而莲的言行举止，更不时流露出潜伏的兽性。 今天，文婷已成为时装界炙手可热的人物，与男友Ken（李子雄）感情稳定。怎料，她无意中发觉Ken与国际伪钞集团来往甚密；两人因而发生争执，婷一气之下把伪钞磁碟资料寄给好友杰。组织恐防事败外泄，派杀手将婷解决，而执行任务的竟是婷儿时同伴莲。 当婷的生命结束一刹那，莲才猛然发觉是与自己相貌一样的婷，一阵悲凉的感觉涌上心头，莲决定查访婷被杀的原因，随后更与久别重逢的杰发生感情，从中了解到婷遭害因由，而自己亦身陷死亡边缘。
战时一个澳大利亚空降兵意外降落在新加坡丛林里，他必须想尽办法逃脱……
麦克·福隆（斯科特·阿金斯饰），号称意外杀手的他，是位冷血杀手。就他从事的职业来讲，他是顶尖的，无论是条理多样的刺杀技巧，还是瞒天过海躲过警察视线，他的每次任务都使雇主满意高兴。但是有一天他挚爱的人却卷入了伦敦的地下杀手世界，并惨遭自己同组织的人杀害。而福隆不得不打破自己长久以来井然有序，条理安排的生活，开始向实施这一切的人展开复仇。剧本已以2020年完成并计划在年内开拍，但由于疫情缘故，延迟开拍。
故事发生在土地革命时期的江西某地。忠犬赛虎为旺崽（李浩 饰）最爱，地主家少爷赵玉堂（赵一工 饰）垂涎这只颇通人性的好狗，几次欲买，均遭旺崽拒绝。一次，赛虎误入赵府，被赵玉堂捉到锁住，旺崽设计让赵府丫环小琴（戴菁 饰）把狗救出，为此小琴被打得浑身是伤。深夜，旺崽与父亲（何宁康 饰）在山崖下救下了从赵府逃出来的小琴，藏在山下草棚中。赵府派狗腿子到旺崽家翻箱倒柜，也没发现小琴的踪迹。旺崽爹闻听山外方志敏领导穷人闹革命，有意投奔。但又不知他们具体在何处，便安顿好孩子们，只身外出打探，不料行迹被赵府的人发现，被捕关进土牢。旺崽闻讯，带赛虎下山救父......
阎罗王的生死簿能判人生死，决定一个人死后能够上天堂还是下地狱。如今，阎罗王的侄女来到人间出，遇到了林天鹏和杨海伦这对夫妇，会使得这对夫妻的生活产生多大变心？...
Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police. This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.
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