《德云社郭麒麟相声专场杭州站》是德云社当红相声演员郭麒麟的专场相声演出。此次演出中，郭麒麟和自己的搭档阎鹤祥为观众朋友们带来了一场原汁原味的相声表演，赶紧叫着你的亲朋好友，一起来感受相声的魅力吧!
高雄是日治時期的軍事重地，也是二二八事件中遭受嚴重軍事鎮壓的地區。本片尋訪經歷過二戰的台籍日本兵、二二八事件雄中自衛隊成員，及二二八事件受難者遺族，他們走過被噤聲的年代，恐懼及創傷如影隨形，成為一生都無法卸下的歷史馱負，鏡頭緩緩隨著他們的日常身影流動，他們從日常中撿拾記憶，還原歷經歷史劫難的生命軌跡，從被迫參戰的無奈際遇，到失去親人又背負標籤、跌宕波折的成長處境，沒有悲憤控訴，只有娓娓傾吐，讓他們重新擁有屬於自己的個體傷痕記憶。深植在他們身體裡的記憶，也留存在時間、空間的縫隙中，本片亦靜靜凝望散落高雄各地的軍事遺址，見證著工兵的血淚與青春；當倖存者逐漸凋零，就以訴說及凝視抵抗遺忘，記憶猶如在這塊土地上努力生長的野番茄，結出強韌的生命果實，展現堅毅不拔的姿態。
古窑村遗留着充满神秘传奇的窑洞，种种离奇古怪的现象令人去探求刺激。作家张小妍在男友车宇的陪伴下为了完成惊悚小说而实景体验，随同还有好友双双、汪说以及焦正泰和安妮夫妇，神秘的棺材、恐怖的敲门声、鬼打墙的迷阵等步步惊魂，所有人都笼罩在诡异的气氛中，彼此相互猜疑，真相超乎意料 ......
故事发生在一个小小的村落八里营中。乔二和赵奎是进城苦钱的打工仔，乔二却在误打误撞之中买彩票中了头奖，得到了一辆捷达轿车。两人欢天喜地的开着轿车回了乡，没想到开启了一场旷日持久的纠纷。原来，乔二买彩票的钱是向赵奎借的，赵奎的家人们都认为这辆轿车里有着赵奎的一份。乡助理让乔二拿出两万元弥补赵奎的损失，但双方都不赞成这个提议。之后，乔二想要进城开出租车，然而乔二的哥哥和嫂子却觉得轿车是大家的共同财产，不应该被乔二独占，一家人因此闹翻了天。与此同时，乡助理也看上了乔二的轿车，哪知道在驾驶轿车的时候遭遇了车祸。
在这片辽阔的草原上，有一座传说中的城市：元上都。马可·波罗曾描述出一个看起来像是幻想出来的地方，这座传奇的大都市据说位于一个庞大帝国的中心，但是元上都真的存在吗？如今，新的考古发现和航空图像使考古学家能够用数字技术重建这座传奇城市，破解那座神秘逍遥宫的谜团，并揭开元上都隐藏的奇迹！
80后的保安队长老王（李奕增 饰）最近非常疑惑，一直以来跟自己关系亲密的女儿王苏苏（张悦楠 饰）举止不正常，再三纠结后决定跟踪女儿，却发现原来女儿在学校受到了“东都小霸王”任浩天（孙书博 饰）的“欺负”,当晚正好赶上兄弟聚会，忽然一阵电闪雷鸣之后三兄弟变成17岁的样子，三人惊喜之后决定重回高校，80后“劳模大佬”与00后“校霸”瞬间在学校成为了两个帮派，随着两派矛盾的激化,一场出人意料的斗争即将开始……
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
剧集《比利帮》的灵感来源于真实事件，它讲述了一群出身波哥大的男女在八十年代的成长故事。本剧通过主角大卫与比利帮的老大之一安德莉亚的弟弟——里奥之间不可思议的友谊，将一代人寻找自身身份的故事娓娓道来。
褪去鞋袜，让裸露的脚掌感受泥土地的雀跃芬香。脏污了也无妨。印着碎花布的长裙打转着打转着，舞一曲手風琴的欢欣。陌生人呀，我从未见过像你一樣碧绿的眼眸，今晚你毋须忧心歇脚的地方，安详睡在我臂湾离好吗？
正直善良的韩东（韩兆 饰）在荒废多年的厂区找到值夜班的工作，可上班当夜就遭遇一系列怪异的事，尤其是在铁栅栏外游荡的那个白衣女人更让他惊出一身冷汗。原来当初上班前带他巡视厂区的吴师傅（ 曹其昌 饰）说的确有其事，闹鬼！厂里殷主任在旁人眼里看来总是那么深不可测。韩东交了押金才知道在他之前已经有三个值夜班的辞职了。此时的他骑虎难下，愈发感觉这座院子不太平。 韩东找棱子（张凯辉 饰）陪他一起值夜班，棱子昏头昏脑走错路，竟跑到坟地去了。有没心没肺的棱子陪着，韩东心里踏实多了。深夜，两人都听到阴测测的女人的哭笑声，登时起了一身鸡皮疙瘩。他们壮着胆子循声而去，看到了更恐怖的一幕……©豆瓣
歌舞伎世家音羽屋第六代传人尾上菊之助（花柳章太郎 饰）苦恼万分，父亲菊五郎（河原崎権十郎 饰）对他的演艺功底大为不满，耻于称其为自己的传人；师兄弟和观众们也对他的评价颇差。然而这些人又都当面奉承，虚情假意。周围只有女佣阿德（森赫子 饰）敢于当面指出菊之助的不足，并真心希望他的表演能不断精进。阿德的诚实令菊之助大为感动，心中视其为难得的知己。 但他们的友情却遭到身边人的猜疑，阿德被辞退回家。伤心的菊之助四处寻找，并决心不顾世俗的眼光娶阿德为妻…… 本片根据村松梢风同名小说改编，1939年电影旬报年度十佳评选第二名。
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