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斌哥（王宏伟 饰）、紫寒（宋金笑 饰）和大卫（范逸臣 饰），三个来自于不同城市的都市男女，或因为不堪生活的负重，或因为感情受到伤害，或是因为厌倦了心不由己的日子，在阴差阳错之下，共同来到了传说中的世外桃源大宝村。 想要成为吟游诗人的紫寒在大宝村和青年设计师大卫相遇了，随着时间的推移，两人之间产生了美好纯洁的感情。人杰地灵的大宝村促发了大卫的灵感，大卫拿起了画笔，开始了创作。斌哥亦爱上了特立独行的紫寒，却因为大卫的存在而黯然放弃。开发商要来大宝村征地的消息不胫而走，使得大宝村陷入了扩房圈地的动荡之中，与此同时，紫寒发现自己怀孕了，而她和大卫之间的关系却早已失去了最开始的美好。
大B哥（陈建华饰）在退出江湖之前，将靓坤（陶小周饰）从马来西亚运往香港码头的一批货告诉了警察，因这事靓坤差点去坐牢，他一直寻找大B哥的下落，最终将大B哥跟儿子小国良（王国良）残忍的杀害！陈浩南（赵世博饰）还是来晚了一步，悲痛无比，发誓要为大B哥报仇，但怕一份秘密文件落到奸人的手中不得不去大陆躲藏，远在大陆的女朋友阿红（金琦饰）也在大陆等他，陈浩南连夜赶去大陆跟阿红见面，靓坤得知陈浩南去了大陆也紧随而去，跟陈浩南斗智斗勇屡屡失败，最终将阿红抓去威胁陈浩南现身，陈浩南为救阿红跟靓坤展开了一场史无前例的战斗！
凯瑟琳·泽塔-琼斯加盟Disney+的《国家宝藏》剧集，与LisetteAlexis共同担任主演。剧集与影版的主角和故事不同，描述为“从20岁的拉丁裔女子杰西·莫拉莱斯(Alexis出演)的角度展开，她怀着远大梦想，和朋友们开始了一场有生之年的冒险，以揭开她神秘的家族历史，找回丢失的宝藏。将探讨身份、群体、历史著作权和爱国主义等时事”。泽塔·琼斯饰演Billie，一个强大厉害的亿万富翁、黑市古董专家、我行我素的宝藏猎人，从身无分文的孤儿成长为精明、有型的商人及冒险家。Billie看中的东西就一定要得到，而她看中了那份泛美宝藏，不只是为了钱，有着更深的利害关系。
讲述埃利奥特和他们所有的森林朋友一个全新的冒险，Boog他决定自己旅行，一个酷似马戏团的灰熊，接管他的位置。 布格的朋友准备把他从俄国旅行马戏团带回家。一连串有趣的事情。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
秦王李世民（唐国强 饰）在武德九年登上大唐最高统治地位。登基后，他励精图治，统帅唐军一举征服称雄北方多年的颉利部，实现了江山统一。之后，深谋远虑的唐太宗决意使长年战乱的国家走和平发展道路，他力促各民族团结，将处于饥荒中的数十万颉利部灾民迀徙內地，分发予良田，他博大的胸怀深受各民族人民爱戴。但是，几个儿子争夺储位的明争暗斗也让他心绪难平，其中，庶出皇子李恪（聂远 饰）、李佑（温浩 饰）等人与三个嫡出皇子的夺权斗争尤为惊心动魄。唐太宗与郑姓女子的婚姻风波，以及安康公主（张澜澜 饰）与两位杰出男人之间的、荡气回肠的爱情故亊，充分反映了那一段盛世大唐跌宕起伏的历史......
秦勇（高曙光 饰）和乌梅（王琳 饰）本是发誓携手度过一生的夫妻，可是秦勇却打破了自己当初亲口许下的诺言，背叛了乌梅。乌梅带着女儿秦小月（乔欣 饰）离开了秦勇。在公司里，乌梅结识了新来的设计师文辉（潘粤明 饰），文辉为人热情开朗，又满腹才华，在相处的过程之中，文辉和乌梅之间渐渐产生了真挚的感情。 让乌梅没有想到的是，自己的女儿秦小月也暗暗的爱慕着文辉，在知道自己和妈妈喜欢上了同一个男人之后，秦小月决定成全妈妈的幸福。可是，就在乌梅解开了心结决定和文辉走到一起时，文辉却失去了消息。
《鱼美人》讲述了侠女沈若鱼，偶然救起并爱上督抚公子王子雄，她便寻找机会混入王家为仆，却被韩小姐整得狼狈不堪，但和王子雄的感情却在一次次磨难中凸显，正当这对情侣决定厮守终身时，却发现自己被卷入了一个关乎巨额宝藏的阴谋……
母亲的意外丧生让弗兰克（伊利亚·伍德 Elijah Wood 饰）陷入了深深的痛苦之中，虽然母亲生前并非善类，甚至动辄就对弗兰克拳打脚踢，但在弗兰克的心目中，母亲的重要地位没有任何人能够代替。丧母之痛淤积在心中渐渐变质，杀人成为了他唯一的宣泄途径，无数的妙龄少女成为了弗 兰克的刀下冤魂，不仅如此，变态的弗兰克还将她们的头皮剥下来，置于家中欣赏。 一次偶然中，弗兰克结识了摄影师安娜（诺拉·阿娜泽德尔 Nora Arnezeder 饰），对于弗兰克来说，这是第一次也是唯一的一次，他没有将安娜视作猎物，而是一个善良热情的女人。可是，弗兰克内心里的兽性无法压制蠢蠢欲动，伤害安娜似乎成为了无法避免的结果。
辛亥革命前夕，由于清政府腐败无能，社会剧烈动荡，湘西人民更是处于水深火热之中。清兵侯三因偷窃被绑到道台府受罚，突然拉他的马惊了，眼看惨剧就要发生，年轻的马帮汉子覃飞（郑凯饰）拦住惊马救下了侯三。覃飞与冬妹（钟思华饰）正在热恋中，寨主曹熊垂涎冬妹前夫留下的田产，决意让傻儿子（彭鼎文饰）强娶冬妹，冬妹不从被扔下天坑。覃飞被迫逃至他乡，参加了由唐豹（炽龙饰）、田昭全（宗峰岩饰）等组织的革命队伍，攻下竿城，推翻了清政府的地方政权。田昭全团结竿城的各方力量在湖南省新任政府领导人的支持下赶走了曹熊。不久，因辛亥革命的不彻底性，加之袁世凯复辟，湘西陷入军阀混战之中。覃飞无以为家，他被曹熊裹挟为匪，恰于匪巢中救出了-个酷似冬妹的湘西少女幺妹，两人避开追杀，逃出生天。
小公主宝儿（王诗龄饰）在家中不幸遭遇了一波劫匪的袭击......劫匪的头领不是别人，正是她父亲的孪生兄弟金大虎。此人为遗产纷争而来，不想却被手下算计，盗窃计划演变为绑架侄女，大虎后悔不已，而真正的幕后黑手是一个叫残忍哥的狠角色。宝儿的保姆兼保镖琴姐被劫匪放倒，手无寸铁的宝儿只好电话求救之前在闹市布店结识的几位小伙伴。于是，这由宝儿带领的“超级宝贝联盟”与坏蛋团伙展开了一场酣畅淋漓的“小鬼大战”……
