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  • 2017 5.0

    毒枭第三季

    Netflix宣布一次性续订《毒枭》三四两季,第三季将于2017年播出。

  • 2014 5.0

    我的女主角

    在电影《我的女主角》中,马灿灿转身饰演一位北漂的职业演员林伊梦,在影视圈的打拼中,难免遇到各种挫折以及诱惑,但是她凭借顽强的毅力以及对梦想的执着追求,使得她克服种种困难及各种诱惑,在追求梦想的道路上一路前行,最终取得了成功。

  • 2011 4.0

    面引子

    孙厚成(吴兴国饰)是一名老兵,1949年内战爆发,孙厚成不得不离开了母亲(王维维饰)和妻子祖宁(赵仕瑾饰),跟随着军队来到台湾,本以为等时局稳定一些之后就能重返大陆,却想不到这一别就是几十年。在这漫长的岁月中,孙厚成重组了家庭定居台湾,但他的心中,一刻也没有放下过自己远在海峡那一边的亲人们。终于,孙厚成带着女儿踏上了祖国的故土,才发现一切早已经物是人非。祖宁去世了,素未谋面的儿子家望(耿乐饰)长大成人。然而,父子之间的隔阂已经是如此之深,孙厚成只能在悲伤和遗憾之中回到台湾。一晃眼又是十年过去,孙厚成中风命不久矣,家望带着孩子赶到了父亲身边见他最后一面,一家人终于在泪水中团聚了。

  • 2023 5.0

    花琉璃轶闻

      大晋昌隆年间,刚刚大败金珀国立下赫赫战功的护国大将军花应庭,将掌上明珠唯一的女儿花琉璃(孟子义 饰)先送返京城。自小随父兄在边关军营长大的花琉璃虽是女儿身,但天资聪颖,更习得一身好武艺。然而京城不同于边关,一方面,花家拥兵自重的谣言甚嚣尘上,另一方面,二皇子姬元溯(徐正溪 饰)以非长子身份被册封为太子,又偏不务正业,本已引人侧目。本以为走入了风暴眼的花琉璃,却完全不按套路出牌,一路扮猪吃虎,将人设拗成了病娇之态,凭借一己之力手撕名媛圈,更让太子和金珀皇子拜倒在石榴裙下,硬生生将夺嫡加权谋的大戏剧本改成了一出人间沙雕甜爱剧。                                                                      该剧改编自月下蝶影的小说《造作时光》。

  • 2017 10.0

    怨灵宿舍之白纸女生

    讲述巴洛克画院的学生雨烟(谢容儿  饰)偶然梦见自己已经离世的同学苏苏,而后陷入灵异事件之中,神秘的纸人如梦靥一般缠住雨烟,苏苏借纸人还魂复仇的传说不胫而走,雨烟遭遇的种种异象表明,是死去的苏苏在还魂复仇。深夜隐没的无面鬼,暗夜游荡的白衣邪灵,预示着死亡的浓烈气息,一个尘封多年的秘密被揭晓,而雨烟却陷入了死亡之地。

  • 2023 5.0
  • 2021 2.0

    杀人小熊

    In order to cheer up recently divorced Chloe, her friend, Sam gives her a giant teddy bear, Bearry. As Chloe confides her wishes to Bearry, people close to her go missing or die. Is Chloe a murderer, is it her stalker? or is it Bearry?

  • 2022 7.0

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  • 2020 7.0

    地缚少年花子君

    海鸥学园的奇妙传言之一。据说旧校舍三层女厕所的第三间里的同学,会实现前来拜访者的愿望。非常喜欢巫术等超自然现象的少女八寻宁宁为了实现自己的愿望,将之托付给了学园怪谈……

  • 2012 1.0

    护士当家第四季

    性格缺陷非常明显的Jackie meijubar.net Peyton在曼哈顿万圣医院担任急诊护士,是个虔诚的天主教徒,也是个固执己见、尖利刻薄的强势女性。她总是和那些自称无所不知的医生们无休无止地争吵,用自己的标准来评判公义。她深切关怀自己的病人,但却总是给自己和周围的人造成伤害。她还和House医生一样是个瘾君子。

  • 1957 8.0

    凤凰之歌

    李、吴两姓为争水结下世仇,经常为水发生械斗。合作化以后,童养媳金凤(张瑞芳饰)的命运随着上级工作人员王琦(李明饰)的到来发生了变化。在一次王琦为缓和李、吴两姓宿怨举行的联欢会上,金凤因唱了一首山歌遭到公公李天臣(崔文顺饰)的毒打。李天臣收了二流子李小毛(杨公敏饰)的彩礼,要金凤嫁给李小毛。在王琦的支持下,金凤坚决与其斗争。吴庄的吴桂生(康泰饰)早就爱上金凤,金凤心里也早就有他,但出于宗族的纷争而不敢相互表达。王琦看在眼里,急在心中,她通过一系列手段化解两姓的矛盾。富农李远民(邓楠饰)为了自身利益嫁祸于人,挑起械斗。关健时刻,王琦带公安人员赶到......

  • 1948 3.0

    痴心女子负心郎[电影解说]

    Novelist Joseph Shearing specialized in using real cases which took place in Victorian England, altering them for fictional purposes. MOSS ROSE in 1947 was the first film to be made from his novels, then in 1948 two of his works were adapted for the screen, this film and THE MARK OF CAIN. The movie stars Todd as a recently widowed missionary returning to her home in England from Jamaica. During the voyage, she meets Milland, a charming though dangerous rascal who is wanted by police in connection with some unsavory dealings. Milland contracts malaria while onboard the ship and Todd nurses him back to health. In London, Todd settles into her home, taking in boarders to make ends meet. Milland arrives, moves in, and proclaims his love for her. Todd is thrilled, but it seems rather obvious that Milland is only toying with her. Milland finds some letters written to her by her friend, Fitzgerald, in which Fitzgerald reveals some of her sexual indiscretions. Since Fitzgerald is now married to the wealthy Huntley, Milland believes he can use the letters to blackmail Fitzgerald. Todd's love for Milland is so great that she goes along with the plan. Huntley, however, learns of the scheme and also uncovers details of Milland's shady past. Fearing for her lover's safety, Todd poisons Huntley, then remains silent when Fitzgerald is arrested for the murder. Milland has by now genuinely fallen in love with Todd and the two make plans to leave England. Before they can depart, one of Milland's former lovers shows up and Todd, in a jealous rage, kills Milland, then turns herself into the police.  This is an intriguing film, although a little on the talky side. The performances are excellent throughout, with Milland shining as the cad, the type of role in which he excelled. Though he spent most of his time making films in the US, he occasionally returned to his native England for a production and this was his first British film since FRENCH WITHOUT TEARS in 1939. Director Allen was also an Englishman who chose to work in the US, this being his first directorial effort in his homeland. This was the fourth and last time Milland and Allen would work together, their pairing having begun in 1944 with the wonderfully eerie THE UNINVITED.

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