孙逸臣（张继聪饰）在一次出差中，因女秘书意外遇害身亡而含冤入狱。狱中不仅要与狱霸司徒（黄光亮饰）周旋，还要面对凶残狱长（郑浩南饰）的霸凌，只有狱警胡海（张建声饰）勉强关照。狱中本就度日如年，而一场致命的传染病此时也悄然降临。面对“天灾人祸”于逸臣决定利用知识改变命运，求生申冤。他将如何虎口脱险，为自己博得一线生机？
《少年不哭》由以漫画《三国志》一举成名的北方谦三原作—《伤痕》改编而成。讲述的是在１９５３年战争时期，流落首尔的两个少年为了生存而奋斗的故事，是 一部揭露残酷现实的动作片。片中的钟斗（李莞饰）容易冲动，但很会打架又讲义气，而商人泰浩（宋昌义饰）则头脑冷静，且天生具有才智，影片将展现二人为了 生存而与现实做斗争的过程。 李莞在片中饰演失去父母，只相信自己的拳头和兄弟情义的坚强、刚韧的人物形象。该片是韩日共同制作的电影，将在两国同时上映。
抖S和抖M之子色丞狂介（铃木亮平饰）貌似没有继承搜查一课魔鬼刑警老爹的基因，虽然长着一副凶狠的面孔，可是为人懦弱胆小，即使加入拳法部之后也没有丝毫改观。某天，美丽可爱的转学生姬野爱子（清水富美加饰）来到狂介的班上，令这个大男孩体会到前所未有的心跳感觉。放学回家路上，一群匪徒闯入银行劫持人质，人质中更有狂介心仪的爱子。为了救出女孩，他悄悄潜入银行，谁知偶然戴上胖次之后，竟然意外唤醒体内潜藏的强大力量。在此之后，他化身变态假面，以压倒性的实力击败匪徒，也令爱子对变态假面产生倾慕之情。某天，意欲统治周边学校的恶汉大金玉男入侵学校，由此拉开了和变态假面旷日持久的战争……本片根据安土庆周的同名漫画原作改编。
Set in a war-torn land where tribal factions live in fear of annihilation, the film tells the story of a deadly warrior leading a destructive war campaign. When he is betrayed by his own and left for dead, he is healed by a mysterious princess and taken in by a hidden tribe that believes he was chosen to wage a final battle.
55岁的美国华裔移民伊芙琳（杨紫琼 饰）家庭事业两崩溃。在老父亲生日大寿这天，除了要阻止女儿（许玮伦 饰）暴走出柜、替无用丈夫（关继威 饰）擦屁股，还得去税务局向古板大婶（杰米·李·柯蒂斯 饰）解释不太妙的税务问题。才踏进大楼电梯，软烂丈夫竟摇身一变演起黑客帝国，声称自己是另一个宇宙的版本，而伊芙琳也是千万宇宙里的其中一个。还来不及理解，邪恶势力已在多元宇宙中蔓延，世界即将毁灭，只有在这个宇宙里，“一无是处”的伊芙琳才能拯救世界……
这日柯南、小兰一行人来到米花市市政大厅，一场有关最新游戏“茧”的发布会正在这里召开。由于迥异于以往任何一款游戏的“茧”可能一举改变全球游戏业界的价值观，发布会吸引了代表日本上流社会的政治、财经、演艺界人士，50名游戏体验者也多是他们的后代，新一的父亲、推理小说大师工藤优作由于参与故事编写，也来到现场。这边热热闹闹，游戏的研发者兼负责人坚村却被杀于地下室。坚村死前留在键盘J、T、R上的血迹令柯南想到答案可能在游戏中，他利用优作的关系加入了体验者队伍，小兰、灰原哀等人也拿到了体验入场券。 50名体验者刚分别进入一个外型酷似蚕茧的“大型胶囊”，游戏即被自称“诺亚方舟”的人工智能控制，“诺亚方舟”称游戏将提供5个完全真实的历史场景，体验者可选择其中之一进入，被淘汰会进入休眠状态，若最后无人走到终点，他们的大脑组织皆会被摧毁，此举是为令日本社会重生。柯南一行及几个骄横无礼的上流社会公子哥进入的是19世纪伦敦的贝克街，那里杀人犯开膛手杰克正在兴风作浪，他身上正有柯南要找的答案！而优作也在现实中正对案件展开调查。
Fraught with over obvious symbolism, Hartley's early feature is nonetheless a joy to watch. Hal here shows us his uncanny ability to cast his characters perfectly came early in his career. Adrienne Shelley is a near perfect foil to herself, equal parts annoying teen burgeoning in her sexuality (though using sex for several years); obsessed with doom and inspired by idealism gone wrong she is deceptively – and simultaneously – complex and simple. Her Audrey inspires so many levels of symbolism it is almost embarrassingly rich (e.g., her modeling career beginning with photos of her foot – culminating her doing nude (but unseen) work; Manhattan move; Europe trip; her stealing, then sleeping with the mechanics wrench, etc.) As Josh, Robert Burke gives an absolutely masterful performance. A reformed prisonerpenitent he returns to his home town to face down past demons, accept his lot and begin a new life. Dressed in black, and repeatedly mistaken for a priest, he corrects everyone (I'm a mechanic), yet the symbolism is rich he abstains from alcohol, he practices celibacy (is, in fact a virgin), and seemingly has taken on vows of poverty, and humility as well. The humility seems hardest to swallow seeming, at times, almost false, a pretense. Yet, as we learn more of Josh we see genuineness in his modesty, that his humility is indeed earnest and believable. What seems ironic is the character is fairly forthright in his simplicity, yet so richly drawn it becomes the viewer who wants to make him out as more than what he actually is. A fascinatingly written character, perfectly played. The scene between Josh and Jane (a wonderful, young Edie Falco . . . You need a woman not a girl) is hilarious . . . real. But Hartley can't leave it as such and his trick, having the actors repeat the dialogue over-and-over becomes frustratingly arty and annoying . . . until again it becomes hilarious. What a terrific sense of bizarre reality this lends the film (like kids in a perpetual am notare too argument). Hartley's weaves all of a small neighborhood's idiosyncrasies into a tapestry of seeming stereotypes but which delves far beneath the surface, the catalyst being that everyone believes they know what the unbelievable truth of the title is, yet no two people can agree (including our hero) on what exactly that truth is. A wonderful little movie with some big ideas.
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