王茂（朱亚文饰）和黄依然（陈妍希饰）是在同一间婚庆公司工作的上下级，两人对于事业和人生都有着截然相反的信念，因此产生了不少的矛盾。然而，随着时间的推移，两人亦都发现了对方深藏在人格中的闪光点，渐渐成为了相互信赖的伙伴。一场意外的发生令王茂陷入了人生的低谷，他必须拿到航空联盟集体婚礼的合同才有可能翻身，可这几乎是一件不可能完成的任务。善良勇敢的黄依然在此时选择了坚定的站在王茂的身后，两人凭借着共同的努力最终攻克了难关。经此一役，王茂和黄依然两颗心的距离火速拉近，双双坠入情网，可就在此时，一座坚不可摧的冰山忽然出现横埂在两颗心之间，让这段火热的关系降到了冰点。
影片主要讲述了市场上出现了一种叫“天堂的光环”的新型毒品。叶聪和舒雅代表中方与娜塔莎携手破案，截获了贩毒集团的大批毒品，并查明了幕后毒枭是雷霄的中学同学孙志华。孙志华胁持雷霄的女儿逃出国境，雷霄亲手将孙志华抓获的故事。
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清河县来了两个神汉，借助天降陨石和各种法术招摇撞骗，伍四六在揭发他们的过程中，又碰上了神汉预言的日食天遣。导致越来越多的民众卷入了邪教的大潮，甚至连麻翠姑都投到对方名下。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
《美人三嫁》是北京东方飞云国际影视公司拍摄制作的电视电影，将于2012年01月14日在辽宁卫视《北方影院》栏目中首播。民国初年，军阀混战，草莽出身的沈虎占据了整个北京城，并强抢前清肃亲王府的七格格玉融为妾，预报当年的羞辱之恨，谁知道沈虎在对玉融报复中，终于明白自己深爱玉融的内心，而两人也由此上演了一段爱恨纠缠的爱情绝唱。
该剧根据大门刚明的同名小说改编，由搭档饰演因父亲去世而离散的兄弟两。一个是充满热血的刑警哥哥川上佑介，一个是冷静沉着的精英检察官弟弟唐泽真佐人。两人一边互相碰撞一边逼近某个疑难案件的真相的故事。
《EVERGLOW LAND》是韩国女团EVERGLOW的首个专属真人秀。
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