暂无简介
这是一个人类和兽人共存，和谐相处，互不侵犯的世界。人类生活在艾泽拉斯大陆中，兽人则在德拉诺劳作繁衍。某日，邪恶的兽人古尔丹（吴彦祖 饰）出现了，它打开了黑暗之门，肆意屠戮手无寸铁的人类，将艾泽拉斯大陆变为了一片地狱的火海。与此同时，曾经与世无争的兽人们如今变得凶猛残暴，他们来到人类的领地，在这里烧杀抢掠，无恶不作。 杜隆坦（托比·凯贝尔 Toby Kebbell 饰）是霜狼氏族的酋长，他发现了古尔丹的野心和阴谋，于是带领着自己的部族千里迢迢来到了艾泽拉斯，在此处，人类领袖洛萨（崔维斯·费米尔 Travis Fimmel 饰）亦在寻找结束战争的两全之道。©豆瓣
影片讲述了文婧回忆和男朋友高杰的故事。一个爱音乐的女孩文婧，一个工作在酒吧阳光的男孩高杰，一对情侣。被不知从何而来的货，无辜的卷入了一场生死相依的斗争。高杰面临社会里一帮不认识的人逼问货的下落时，文婧为救高杰无奈骗取了团伙大哥的信任。文婧为了找到货的原因，找来了弟弟猴三的帮忙。在商议后的同时，恶势力大哥安排了手下鸡眼跟踪。过程中鸡眼被猴三玩弄。激怒了大哥，之后决定绑架文婧。通知猴三拿货换人。是有意的安排还是刻意的陷害？高杰、猴三、豪哥不向恶势力低头，智勇斗黑帮。众人合力最后成功打败恶势力，营救了文婧。鸡眼愧疚大哥最后交代了是自己私吞了货而引起了这无辜的事件。法网恢恢疏而不漏。警笛声响起了……
香港出租车夜晚拉客常常遇鬼，比如夜车司机林中发（古天乐饰）就差点载一女鬼（罗兰饰）前往荃湾，而同事“快车长”（雷宇杨饰）却遇见某女扮鬼诈骗，随后又载真女鬼前往和合石火葬场。嗜赌成性的林中发收工后被追债上门，为躲赌债不得已携妻子（李蕙敏饰）和儿子安仔搬入阴阳路上某廉价大屋，却发现房中闹鬼，吓得安仔夜夜哭泣不停。林中发向屋中鬼魂（吴毅将饰）赌咒发誓，若帮他畅通财路，便愿将自己所有一切分半同享。第二日，林中发发现屋中出现一组神秘数字，从此他所向披靡，逢赌必胜；但林中发没想到的是，屋中鬼魂要分的不仅是他的财富，还有他的妻子和儿子…… 本片是《阴阳路》系列的第五部作品。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
这是一部以动作冒险为主题的太空歌剧，主人公是三个星际赏金猎人。他们一方面要穿越政治漩涡，一方面要面对道德观的挑战，还要随时处理复杂的「内部关系」。在遥远的银河系深处，Qresh星球上的人们在三颗卫星上进行殖民，建立起四个分层的世界（主行星和三颗卫星各为一层）。每一个世界 都有独特的社会经济结构，但每一个世界都动荡不安。在被称作Quad的这个行星体中，赏金猎人获得政府许可在整个银河系范围内完成各种各样的委托命令，他们被称作「扫兴者」（Killjoys）。「扫兴者」必须严格服从既定的规矩，并且他们一旦接到命令就不能反悔，如果反悔必然带来严重后果。「扫兴者」不允许参与政治，不允许在任务中带有私人感情——女「扫兴者」Dutch就面临这样的考验。Dutch美艳、性感、身手不凡，但是背景极为复杂，她在这个行业中是数一数二的人物。Dutch的搭档John绰号「混蛋...
Spanish television drama thriller focusing on the students of a fictional boarding school in a forest, where teenagers are sent by their parents to study. The boarding school is situated in a forest far from the city, on the outskirts on which macabre events occur. The series debut on 24 May 2007, and is a production of Antena 3. Although the show is recorded and produced in HD...
当总统得知国内恐怖分子劫持了她哥哥驾驶的客机
一位年轻女子乘坐的飞机在纽约肯尼迪机场降落后，她跳上了一辆黄色出租车的后座，出租车司机克拉克将车开动，素不相识的两人在夜色中共同前行，展开了最意想不到的对话。一开始是有趣的闲聊，很快就转向了神秘和俏皮的内容。女子正在和一个男子网恋，一路上手机响个不停。司机劝告女子应该认清网恋对象的真面目，珍视自己。女子惊讶司机能够看透自己所处的境况，随后两人的聊天发展到对爱情观、人生观、价值观等方面，女子发现司机有着强大的内心、悲痛的经历以及积极向上的人生感悟。最后目的地到达女子下车离开。但是两人在短短的旅程中的谈话都治愈了彼此的内心。该片将探讨人类联系的复杂性，并将证明与一个完全陌生的人的偶然相遇可以改变一个人的生活。
小王庄的王老大（梁庆刚 饰）人虽笨，但忠厚纯朴善良。生产队长李永绪（陈国典 饰）夫妇见他独自一人生活不易，给他张罗婚事几番不成，原因就是女方嫌他笨。三年自然灾害期间，王老大结识了携儿带女逃荒的寡妇大翠（韩桂菊 饰），在村里人冷嘲热讽中毅然与大翠成了亲。从此，王老大在大灾之年挑起了五口之家，他苦干一年，年终分红一分没有，反而欠队里几十元的口粮钱。他不忍寒冬腊月孩子们穿不上棉衣，冒着挨批斗的风险，顶着风雪上山砍柴，为得是过年时孩子们能穿上新棉衣，却不料滑下山涧摔死了。公社副主任（常文治 饰）把他的死归结为走资本主义道路的必然下场，李永绪听后实在忍不住了......
暂无简介
