于小姐的母亲身患重病整日在床上修养，并且经常失控。她为此心疼又着急。同时，于小姐父亲的秘书在家里横行霸道。有一天她趁于小姐出门，竟然在床上活活捂死了在床上的于夫人......
《蒙上你的眼：逃出巴塞罗那》由《蒙上你的眼》的制作人倾情打造，是2018年备受观众青睐的热门电影的衍生作品。在一股神秘力量使世界人口大量减少之后，塞巴斯蒂安必须在巴塞罗那荒凉的街道上展开自己的求生之旅。当他与其他幸存者结成不稳定的联盟，并试图逃离这座城市时，一个意想不到、甚至更加险恶的威胁正在增长。
恋爱社交推理真人秀节目第四季由Angelababy（杨颖）、杜海涛、郭麒麟、李雪琴、马伯骞、宋祖儿担任心动侦探。6位嘉宾通过观察和推理素人间的暧昧关系发展走向，从不同角度产生不同的社交价值观碰撞。本季节目也将有数位在深圳生活和奋斗的拥有不同职业、个性的年轻人，入住“信号小屋”，开启一个月关于心动和自我的探索之旅。
一场四年前的意外，在夏梦阳和程延巍心中留下的伤痛，一直困扰着二人。为了曾经的约定，夏梦阳重新开始了马拉松的训练，程延巍与她在一步步的奔跑之中，两人成功走出阴霾，完成了曾经的约定，迎来新的开始。
电影《风水》讲述了今湖南省邵阳市新宁县白沙镇一个叫“二爷”的汉子，带领全村以及广大民众保护支援中国抗日的美国飞行员骄尼，浴血奋战的抗日传奇故事。
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
在新开通的地下铁中，青年陈保罗（张国荣 饰）对同车的莫妮卡（张曼玉 饰）一见钟情，不幸却被另一名乘客安妮（梅艳芳 饰）趁机捉弄。这几位年轻人很快散落在茫茫人海中，职场新丁陈保罗开始为工作奔忙，莫妮卡则为了厘清和上司的一段旧情而心神不宁。某日，保罗与莫妮卡再次相遇，而富家小姐安妮亦再度出现，半捉弄半挑逗地缠上了保罗。莫妮卡找到新工作，遭遇了好色新领导的骚扰，保罗则在安妮的暗中帮衬下正式追求莫妮卡，与后者的好色上司连番交手。莫妮卡考虑接受保罗的爱意但终于退缩，声称将他们的爱情交付给一场地铁中的缘分游戏。在离乱的人流中，保罗和安妮一起，去找寻消失的莫妮卡……
为期五天的世界贸易组织部长级会议即将在西雅图召开，于是，一群反对全球经济一体化的市民们自发的聚集到了这座城市，进行抗议示威活动，姜戈（安德雷·本杰明 André Benjamin 饰）、露（米歇尔·罗德里格兹 Michelle Rodriguez 饰）和山姆（珍妮弗·卡彭特 Jennifer Carpenter 饰）等人就在其中，他们为了自己心中的信念奔走呼号，场面十分热烈。
故事梗概: 泰国春蓬府的邦牧河是当地百姓的最主要的交通通道，居民世代都快乐的生活在那里，从来没有出过什么大事，然而在平静的表面下却隐藏着巨大的危机。一天这里有个外地游客失踪，在找寻的过程中，人们发现了被毁坏的船只，人却没有了踪影。 在军队服役的农回来探亲，农的朋友在警局工作，警官喜欢农的妹妹格拉格。农和警官去看望农的哥哥川，农和川兄弟两人感情非常好，川因为身体的原因不能去当兵，农去当兵就是为了圆川的梦想。 一天村里的姐妹俩在河边洗澡，同村的宋差过来戏耍，被姐妹俩打趣小心鳄鱼。就在他们说话的时候鳄鱼突然袭击了宋差，幸亏人们抢救及时才将他从鳄鱼嘴里救了出来，但宋差的双脚已经被咬掉。 镇长发动群众去消灭鳄鱼，可是经过几天的寻找并没找到。受害者的家属愿意拿出3000泰铢悬赏，将钱给打死鳄鱼的人。村长和乡亲们坐在船上去捕杀鳄鱼，不料却被鳄鱼追赶，人们纷纷往赶上...
影片讲述了几位来自不同家庭环境、不同性格的同班同学，在学习和生活上遇到困难时，互相帮助、互相鼓励、共同成长的故事。
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