因伤被迫终止自己舞蹈生涯的王熙雯回到家乡创办舞蹈学校，将希望寄托在孩子们身上，但发掘和培育有天分的舞蹈苗子可真不是一件容易的事。种种艰辛过后，她终于培养出了浩宇和妙妙。唐骏发现雨涵和浩宇是好苗子，他的艺术团确实更适合孩子的发展。王熙雯最终决定送走了浩宇和妙妙，失落的回来。楼道里贴满了王熙雯的画像，一直延伸着进入她的教室。她似乎看见了，雨涵和浩宇也站在孩子中间，快乐地舞蹈。
清乾隆年间。銮舆卫和珅偶尔在皇上面前展露才华，被提拔重用，而上书房总师傅朱珪因私自放嘉亲王出宫体察民情，被乾隆皇帝贬到山东济宁。乾隆皇帝登封泰山，和珅随御驾来到泰安……
在第六季中，戴安与一种似曾相识的不安感作斗争，她感觉自己快要疯掉了，从Roe诉Wade案到投票权，再到冷战局面，一切都在卷土重来。与此同时，律所的律师们想知道，他们所见证的那些暴力事件，是否预示着一场内战即将到来。
光怪陆离的骗钱现象已经渗透在社会的上上下下方方面面，一群劫匪在公众场合假借拍戏瞒过围观路人而打劫成功······
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
“他是联盟中最好的垒球运动员”，他和最好的朋友打赌，他可以和一群模特一起赢得联盟冠军杰克和他的模特表妹霍莉一起招募了一群娇宠的公主，试图把她们训练成最好的垒球运动员。
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西班牙版的《纸牌屋》，西班牙青年导演罗德里哥索罗格耶执导的悬疑惊悚片，获第33届西班牙戈雅奖 (2019)十三项提名。描述政治人物腹背受敌的惊险处境，不仅得应付檯面政敌的明枪暗箭，更得提防同党队友的落井下石，惊悚呈现政治游戏的阴险狡诈，最终急转直下的结局完全超乎预期。 深具领袖魅力的政治家曼纽尔（安东尼奥德拉托雷 饰），不仅受到民众爱戴，更拥有崇高的名声与地位。但「权力使人腐化」，私下的他却与党内同侪联手诈用公款、进行洗钱中饱私囊。不料当东窗事发，同侪纷纷与他切割，更强迫他一肩扛责，不甘自背黑锅的他，于是设下一关关骗局，展开强力反击…
暂无简介
《神秘的紫砂壶》讲述张琪是一个没有名气的画家，为了满足女友小雨买房子的愿望，决定暗中进行一场古董紫砂壶的交易，却不知道对方已经布好了层层骗局。交易刚刚开始，又偶遇一直在他和小雨之间作梗的小雨表姐，被误会他移情别恋于交易的中间人廖吉香，小雨愤然离他而去。好友陈建林前来安慰，不知交易内情张琪还沉浸在赚钱的梦想里，酒后以大款自居，陈建林对张琪突然发横财的疑问还没有解开，又在张琪家看到大量紫砂壶的资料，联想到他给张琪透露老中医董大夫收藏古董紫砂壶一事，怀疑张琪打了紫砂壶的主意，如果是这样，他便成了张起的帮凶。陈健林决定暗中调查这件事情。第二天，陈建林开车来到董大夫家，董大夫正在弥留之际，一直等着要见一个姓陈的患者，孙女天骄去找过多次，姓陈的患者家一直没有人。经过了解和分析，陈建林判断此人就是张棋。陈建林带天骄找到张棋，天骄认出张棋果然就是那位“陈叔叔”。张棋强调他姓张，是天骄记错了他的姓，一句话让他不得不承认自己去董大夫那里看过病，但是现在他有急事，不能前去与董大夫见面。在陈建林的强迫和威胁下，张琪不得不上了陈建林的车，去见董大夫。为了回避陈建林，张琪不敢接听交易对方的电话，对方对他产生了怀疑，引起了悍然大波。路上，张琪向陈健林讲述着他找董大夫看病以及以后与董大夫交往的过程，天骄在一边补充，他们越说，似乎就越能证明陈健林的怀疑没有道理。陈建林不断提出的疑问，让谈话不断陷入僵局。到达董大夫家门前后，陈健林提出了最后一个疑惑，他认为如果张棋仅仅是董大夫的一个病人，然后在一起谈几次古董，就成了老人不见死不瞑目的人？这看上去不符合逻辑。他提醒张琪：“如果你做了对不起董大夫的事，马上悬崖勒马，否则我饶不了你！”张琪胆战心惊的走到大夫床前，从门缝偷窥的陈建林惊讶的看到董大夫拿出紫砂壶赛进了张琪手里，然后便晕了过去，重病的董大夫被送进了医院。这个场面完全推翻了陈建林对张琪的怀疑，但是他还是不明白，一个近千万元的古董紫砂壶董大夫就这样轻而易举的拱手送给了张琪？尽管他仍然认为不符合逻辑，但是是他亲眼所见，他只能感叹世上的事儿无奇不有了。张琪拿到紫砂壶后，没有得到他想要的生活，交易对方的追杀，良心的谴责，噩梦的折磨，让他陷入了痛苦不堪的境地中，深夜，他在噩梦中醒来后，终于再也忍受不下去了，电话叫来了陈建林，把一真一假两把紫砂壶摆在了陈建林面前，说出了真相。
