著名歌舞伎演员中村雪之丞（长谷川一夫 饰），其童年时父母遭奸人陷害，相继身亡。年幼的雪之丞无依无靠，幸遇仗义善良的歌舞伎一人中村菊之丞（市川中車 饰）。菊之丞将其收为徒弟，倾囊传授舞技和剑术，发誓协助雪之丞报仇雪恨。 转眼数年过去，雪之丞已经成长为独当一面的优秀歌舞伎艺人。他与师傅一路来至江户，终于发现仇人——原长崎奉行——土部三斎（中村鴈治郎 饰），复仇之火自此熊熊燃起…… 本片根据三上於菟吉同名原著改编，并荣获1964年每日电影最佳艺术指导殊荣。
《百姓春晚》将是湖南地区、乃至全国地区首档全民参与、全民演绎的大型综艺活动。来自湖湘大地的各类才艺达人与文化精英将为广大观众带来一场“湘”味十足的文艺盛宴。
约翰（史蒂夫·布西密 Steve Buscemi 饰）是一名坏运气的赌徒，在牌桌上屡战屡败之后，约翰终于读懂了失败带给他的箴言，那就是让他放弃赌博，找一份工作，踏踏实实的去做一个普通人。就这样，约翰在一家汽车保险公司里得到了一份毫无前途的工作，在应付日常的各种琐事的同时，约翰还要抵抗内心的魔鬼。 某日，约翰被上司派遣协助一位名叫维吉尔（罗曼尼·马尔可 Romany Malco 饰）的谎言辨别师，去调查一场诡异的车祸，这也许是约翰唯一一个能够升职的机会了。与此同时，约翰邂逅了名为吉尔（萨拉·丝沃曼 Sarah Silverman 饰）的女同事，两人之间的彼此消遣，竟然渐渐升级成为了爱情。
电影以一个广州家庭的战疫经历为线索：身为医生的父亲曾参与非典战役，17年后再度出征战新冠肺炎疫情，成为援助湖北医疗队的一员；女儿和女婿都是铁路公安，两人不惧危险，与已经感染新冠肺炎的逃犯搏斗，只为了保护人民群众的财产安全。
影片根据茅盾文学奖获奖者麦家的同名长篇小说改编，故事关于上世纪四十年代，世界局势风起云涌，及时准确破译敌方的通讯密码至关重要。容金珍（刘昊然 饰）自幼展现出惊人的数学天赋，被时任大学校长的小黎黎（吴彦祖 饰）和太太叶筱凝（俞飞鸿 饰）抚养长大。大学入学之际，容金珍因解出数学系老师希伊斯（约翰·库萨克 饰）布置的难题而被更多人注意到，其中就有神秘部门701局局长郑某（陈道明 饰），容金珍从此走进了密码破译的大门。
Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
老天師找全性報仇，秒殺
