特纳（哈莉·贝瑞 Halle Berry 饰）是一名911报案中心的接线员，一天她接到一个小女孩的电话，声称有陌生人闯入家中，特纳随即让她躲起来，然而此时通话突然断线，特纳焦急地回拨，不料却因此暴露了女孩的躲藏地，令其不幸被入侵者杀害。从此特纳陷入愧疚的深渊，无法再担任接线员的工作。半年后，特纳当了一名接线员导师。这天，一个新手接到一通报案电话，另一端的女孩凯西（阿比盖尔·布蕾斯琳 Abigail Breslin 饰）被绑匪困在汽车后备箱中，情况十分危急。经过侦查，特纳竟然发现歹徒就是当年杀死那个小女孩的凶手，出于愤慨和赎罪，她立即下定决心要亲自将歹徒捉拿归案。一场惊心动魄的电话缉凶即将展开，然而令众人意想不到的是，一个隐藏多年的秘密也渐渐浮出水面……
在曼谷读书的卡塔在回家的汽车上偶遇同乡的女孩拉潘，也因此互生情意。而卡塔复读了三年的弟弟卡潘却因为纠缠拉潘的妹妹拉佩被警告。一天，为了躲避在街上小混混骚扰的拉潘又遇到卡塔并救了她，m.ysgou.cc两人相聊甚欢....但不巧的是，卡塔和拉潘两家父母是死对头，互相喜欢的两人能够得到父母的允许吗？
主人公是一名倒霉的赛车手，讲述了一直为了成为赛车手排除干扰，实现梦想的故事。
作为一部海鲜垂类美食纪录片，《开动吧！海鲜》旨在打造中国首部海洋生物食用指南。全系列共24集，每集8分钟左右，从家常小菜到海鲜大宴，从饮食文化到生活信仰，横跨中国四大海域，记录一群靠海吃海的人！
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
高谭市接二连三发生绑架案，嫌疑人都指向了蝙蝠侠。蝙蝠侠（杰森·奥玛拉 Jason O'Mara 配音）和绿灯侠（贾斯汀·柯克 Justin Kirk 配音）分头找到真凶的线索，对方留下一个神秘仪器后自爆。为了解开仪器的秘密，二人出发寻找超人（艾伦·图代克 Alan Tudyk 配音）希望弄清真相。当他们正逼近事实时，仪器突然启动，原来这是某个外星入侵者设置的时空通道装置，大批外星人通过它开始侵略地球。与此同时，斯通博士也就神秘仪器展开调查，斯通博士的儿子维克（谢默·摩尔 Shemar Moore 配音）意外被仪器感染，死而复生化身拥有强大实力的超级战士。 史无前例的危机，蝙蝠侠、超人、绿灯侠、闪电侠（克里斯托弗·高哈姆 Christopher Gorham 配音）、黛安娜（米歇尔·莫娜汉 Michelle Monaghan 配音）相继卷入战斗……
阴霾冰冷、罪恶横生的现代化都市，勤奋努力的保险业务员马克（吴彦祖 饰）多年来都和精神分裂的母亲（惠英红 饰）相依为命。为了帮母亲搬入最好的养老院，马克努力赚钱，甚至不惜作伪证保护自己的地位。然而一失足成千古恨，他作伪证的事情被某个神秘之人获知，不仅账户中的存款盗取，还必须按照对方电话中的指示行事。在这一过程中，马克重逢在银行工作的高中时代初恋女友洁希（姚晨 饰）。谁知洁希也被神秘人算入迷局，她和马克的命运紧紧捆绑在一起。在此之后，马克还惹上了雄霸一方的黑帮老大泰哥（任达华 饰）。
美国海军海豹部队在研究中心执行最高机密任务，然而科学家们陆续离奇失踪，还有其他生物伺机而动...
《明星许愿池》，是民视于2021年全新推出的综艺节目，节目主持人为孙协志、王仁甫，艺人固定班底为大飞、阿虎、Wish、夏宇童、蔷蔷、刘纪范（Amanda）。节目制作团队为丽群影视（原幸福保卫战制作团队），从2021年8月14日起，每周六晚上10点于民视无线台播出。
当苏晓宛到达风光明媚的珠海，巧遇了也从香港来珠海公干的忠实厚道的伟伦。一场阴差阳错的误会后，苏晓宛强行要伟伦做她七天“结婚恋人”，陪她完成这个“蜜月假期”。他们的行踪被苏晓宛的亲哥哥阿成发觉。阿成因担心其妹而暗中跟踪他们。伟伦虽表面勉强但暗中心花怒放。苏晓宛的突然失踪，令苏晓宛的好友阿梨和阿娟担心不已，两人决定要揭发伟伦的“真面目”，不但悄悄跟踪二人，更让阿娟设计陷害伟伦。苏晓宛见此情景，对伟伦产生误会，开始争吵起来。
拳击大赛决赛在即，晓峰为当职业拳手赢得奖金而专心训练备战；女团选拔即将开始，一心走上演艺之路的莎莎却因为父亲的反对决定离家出走不料在学校里本就是斗气冤家的两人，偏偏遭遇了爱管闲事的变身狂人，将两人的身体互换！直男变少女，少女变拳手，本就火星撞地球的两人被迫介入对方的生活，还得扮情侣、假同居、见家长、斗情敌，经历了笑料不断的各种闹剧后，两人能否如愿换回自己的身体，实现各自的梦想呢？身份的错位是否带给他们新的人生体验呢？两人的关系又将向何发展呢？
