1945年，第二次世界大战接近尾声，作为邪恶轴心重要成员的日本，其嚣张态势已成强弩之末。是年，决定战局走向的冲绳岛战役拉开序幕，成千上万斗志昂扬的美国大兵被派往冲绳，等待他们的则是敌军重兵防守、凶险异常的钢锯岭。在这群人中间，却有一个不愿拿起武器的军医。他名叫戴斯蒙德·道斯（安德鲁·加菲尔德 Andrew Garfield 饰），来自美国的弗吉尼亚。太平洋爆发之际，瘦弱的戴斯蒙德志愿成为救死扶伤的军医而应征入伍。可因童年和家庭的原因，他始终不愿拿起枪支操练，为此宁愿背上拒服兵役的罪名被送上军事法庭。几
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
新江湖情是一部经典的动作电影
在美国洛杉矶工作生活的男同志Danny（郑伯昱 饰）渴望拥有自己的孩子，但他极度传统又在意别人眼光的母亲（归亚蕾 饰）由于早已得知其性向，一直不敢奢望他能延续家族香火；一次意外得知儿子Danny的生子计画后，竟开启了这段母子一段一波三折寻找胚胎与代理孕母过程，在这漫长且曲折的旅程,充满笑泪交织的母子衝突，而在饱尝各式各样的挫折后，是否可以圆满完成彼此的心愿？
主人公是从千叶县转学到此的男高中生神月纪。一本正经地描绘了从他的眼睛里看到的群马独特的地方文化和疯狂热爱群马这片土地的原住民的种种行为。
Syfy直接预订12集超自然题材剧集《Superstition》，本剧背景设置在新奥尔良外的一个神秘的小镇，由XLrator Media和Mario Van Peebles制作。Mario Van Peebles将和Barry Gordon一同担任制作人，还将执笔、执导、参演该剧；由Joel Anderson Thompson出品。本剧将在2017年年初展开制作，将于同年晚些时候播出。 本剧主要讲述了Mosley一家生活在新奥尔良郊外一个虚构的小镇上，他们开了镇上唯一一家殡仪馆，同时也熟悉这个小镇黑暗的秘密和历史。镇上凶宅知名﹑墓地越来越多﹑镇民怪异﹑有很多灵异现象，而这一切的始作俑者就是古老而神秘的恶棍The Dredge。
2019全新竖短片《导演对我下手了》由爱奇艺、浩瀚娱乐联合出品，春风画面制作，李亚飞执导，刘背实、童瓜等领衔主演。该片每集5分钟，以单元形式呈现，展现古装、武侠、都市、爱情、青春、喜剧等32个爆笑故事。《导演对我下手了》于2019年5月6日起在爱奇艺全网独播上线。
清末民初，战乱不断，邪人王丽娘正害人性命，疯癫江湖术士毛不破与徒弟白祈、白源追捕邪祟来到鹤灵城，白祈将王丽娘及双头蛇击败，王丽娘濒死遗言及标识让毛不破心生疑惑，想起多年灭门惨案。不久，大帅府怪象频生，师徒三人被大帅府邀请前去府邸查探，旧相识黄老九和黄灵儿也随师徒三人一同前去。白祈破解怪事乃邪魔笑傀作祟，于是决定进入诛魔镜找寻真相。生死轮回，亲情爱情何去何从，不死之身左千秋阴谋能否得逞，一切尽在诛魔镜中世界···
平凡な少年・加賀見かずやの前に、 付喪神の美少女・桐葉が現れてから、これまでの生活は一変した。 怪異を呼び寄せる「忌み子」であったかずやは、 土地の神・くくりから怪異を倒す「すそはらい」の命を受け、 桐葉と共に奮闘していた。 かずやたちは、学校の活動として、 怪異の情報を集める「お悩み相談室」を立ち上げることに。 しかし、平和なお悩みが寄せられる裏側で、 くくりを狙う大きな計画が動き始めていた…。 ドＳな美少女付喪神の桐葉だけでなく、 図らずも巻き起こるハプニングと共に、 かずやへ想いを寄せる女子たちも参戦！ 学園で伝奇で美少女山盛りな欲張りコメディ、第二幕の始まり！
2008年经济危机之后，时任财政部长保尔森、纽约联邦储备银行主席蒂莫西·盖特纳和美联储主席本·伯南克试图将这个国家从许多人认为的可能比大萧条还要严重的经济萧条中解救出来。这部长篇纪录片探讨了导致危机的各种因素，以及这三位关键人物如何把分歧严重的国会团结起来，商讨7千亿美元问题资产救助计划（TARP）。最终，经济反弹，经济萧条得以避免。但也有巨大的经济和政治成本：美国总统奥巴马继承了挥之不去的萧条阴影，经济衰退随之而来，被银行救助和银行家的奖金所激怒的纳税人们催生了占领华尔街运动和茶党运动。十年过去了，在这个国家比以往任何时候都更加分裂的情况下，这篇特别报道问道：如果今天经济危机再次发生，国会会不会联合起来寻找解决方案?
