江湖大佬洪仁就(刘德华 饰)功成名就,无奈高处不胜寒,手下高佬(曾志伟 饰)等人心怀鬼胎,似乎唯有多年来为其出生入死、情愿肝脑涂地的好兄弟左手(张学友 饰)值得信赖。洪喜得贵子之际,得悉有人买凶取他性命。饱经风雨的洪冷静对待,坐看风起。曾几何时,混在江湖底层的翼仔(余文乐 饰)目睹大哥死状,遂决心以死复仇。好兄弟铁臂(陈冠希 饰)虽患其安危,却仍寸步不离,紧随其后。命中注定的终点,每前进一步都是那样艰难。
台湾富商马克(赵又廷 饰)跟名媛方柔伊(舒淇 饰)有染,但却无法给她承诺。这令她极为伤心,气急败坏离开酒店,在街头遭遇酒店服务生小宽(阮经天 饰)偷拍,柔伊怒砸相机,随即与富商陆平(钮承泽 饰)驾车离去。原来柔伊本是陆平的情人,但是却无法获得一纸婚约。倒是因为那次相遇,她和口吃的小宽发生了一段感情…… 小宽的妹妹宜珈(陈意涵 饰)是自行车选手,她的闺蜜是钮承泽的独女小霓(郭采洁 饰),后者习惯性跟她抱怨男友阿凯(彭于晏 饰)的诸般不好,但是宜珈却持相反意见并暗度陈仓。于是一道三角恋开始分割友情…… 马克去北京出差,欲购一套四合院,与房地产中介小姐小叶(赵薇 饰)不打不相识,并在民警的怂恿下,阴错阳差充当了她儿子豆豆的父亲。从此,一段海峡之恋由此展开……
为了复仇,一名有着悲惨过去的神秘女子进入一个权势家族,后者不仅坐拥全球美妆帝国,还隐藏着黑暗的秘密。
甲A联赛决赛在既,东川队与宿敌远洋队决心放手一搏,东川的铁杆球迷餐馆老板刘家成(李嘉存 饰)放出话来,只要大伙声援东川,酒水免费。东川替补队员欧力(陆毅 饰)、邵奇(乔振宇 饰)和康元一方面盼自己的球队能赢,另一方面为自己不能首发惋惜。比赛开始后,东川队竟以2比6的悬殊比分惨败给远洋队,俱乐部老板苏东川(达式常 饰)当场昏倒在看台上,经抢救命虽保住,但后半生只能以轮椅为伍了。他把球队交给了留洋归来的女儿苏兰(张庭 饰)。苏兰接手后任人为贤,她请远洋队的教头罗毅指掌球队,这下队内老队员立刻炸了锅,好多队员纷纷转会,这给了长期座替补的二线队员欧力等人提供了机会......
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
苏州城内万妖割据,法师保护百姓,与妖族对立,然一夜之间,随着不明身份的千年青蛇突现,众妖神秘死亡,人类也惶惶不可终日。新晋法师樊海出手降妖,却意外发现了众妖围剿千年蛇妖的秘密。一时间,苏州城风起云涌,暗藏在“和平”背后的惊天阴谋浮出水面……
科幻题材终于也被采用到这个系列中来了。高智慧外星飞船来到地球,发现地球人类生物独特好奇,并展开对人类性行为和欲望望的研究,目的改造其星球的生物。队长寻欢发现艾曼妞与众不同,并结为朋友,在她的帮助下,进行对地球的实践考察,亲身体验对人类性行为的感受,并收集数据研究。他对性认识不断深入,直至不能自拔...
《Mr.Back》为韩国MBC电视台于2014年11月起播出的水木剧,由《帝王之女守百香》、《光与影》李尚烨导演执导与《急诊男女》崔允真作家执笔,韩国著名演技派申河均和韩国小天后张娜拉、演技爱豆李准共同主演。讲述了一个70多岁的财富、地位、权势等应有尽有的某集团会长因一次偶然的机会重返青春,决定尝试以前从未体验过的真正的爱情的故事。
1997年前夕,香港回归在即。近百年的殖民时代即将落下帷幕,而香港的繁荣与衰败也将迎来翻天覆地的改变。时代变革大潮在即,作为黑帮龙头老大的林耀昌(任达华饰)敏锐把握到时代的脉搏,他致力坚守盗亦有道的原则,和一众兄弟笃定前行。而在他的麾下,勇猛果敢的阿骆(任贤齐饰)更被林耀昌寄予厚望。但是阿骆的真实身份却是一名警方卧底,他奉上级程国斌(方中信饰)之命潜伏多年,时刻准备以白克黑。但是混迹黑道多年,阿骆似乎渐渐发生个改变,内心的黑暗面正迅速扩大。沧桑巨变,人心不古……
繁华大都会纽约,光影交错的人间乐土,相应有层出不穷的罪恶侵蚀着这片土地。小青年彼得·帕克(Christopher Daniel Barnes 配音)和唯一的亲人梅婶(Linda Gary 饰)相依为命,如许许多多美国青年一样穿行在繁忙的闹市街头。可就是这个平凡无奇的大男孩,却被一只受过辐射的蜘蛛咬中,继而改变了命运。在此之后,彼得发现他具有种种神奇的能力,而能力的增长又促使他成为独立于司法之外的正义战士,以蜘蛛侠的名头和各种各样的恶势力展开斗争。在此之后,毒蝎、章鱼博士、毒液、绿魔等可怕的对手交替登场,正邪双方在纽约各个角落展开接二连三的较量。在此期间,彼得还必须兼顾他英雄的另一面,小心平衡着和女友玛丽以及工作之间的关系。
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