追梦，似乎是年轻人专享的用语。其实不少中年人都曾经追梦，然而为了生活、为了家庭，甚或因为经济问题，以致无法实现歌手梦。人到中年、生活稳定，是时候追赶昨日的歌手梦。节目打破只容许年轻人参赛的规则，比赛将会接受35岁或以上人士参加，赶上追梦的尾班车比赛将会设有个人入围赛及分组赛，成功晋级的参赛者将会以大会预设的主题作赛，包括电视歌曲、四大天王系列、唱跳歌曲、岁月歌曲、合唱歌曲、指定歌手选曲、节日歌曲等等。比赛以外，参赛者将会在短片访问中，分享他们放下歌手梦的过往，让观众了解各人的故事。
影片根据同名小说《A Wrinkle in Time》改编，讲述在科学家父亲(克里斯·派恩饰)意外失踪以后，小女主Meg在 Mrs. Who (敏迪·卡琳饰), Mrs. Whatsit (瑞希饰), Mrs. Which (奥普拉饰)这三位奇异的仙灵生物的帮助下，跨越时间、空间、维度，在黑暗中寻求光明，开启了一段奇幻寻父之旅的故事。
出品单位:北京一声春雷影业有限公司一个台湾与大陆结合的家庭，倒霉的老爸被诈骗集团骗来厦门，勇敢的姐妹俩在一个大陆男孩的帮助下决定要救出老爸，她们能否成功呢......
《放羊的星星》曝光首款概念海报。官方正式宣布重新启动，在原剧基础上进行全面改编升级，并称此次重启计划由原剧导演之一，台湾“偶像剧教父”沈怡亲自操刀执导，打造全新“仲夏爱恋”。
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski) From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
凯蒂(林赛•洛韩 饰)青春活泼，单纯可人。因为父母的工作关系，她从小在非洲长大，接受家庭式教育。同时，她在那个原始开阔的地方，凯蒂养成了隐忍坚强性格。15岁的这一年，凯蒂随父母搬到伊利诺斯州，开始了她...
故事来源于真实案例，杜克学生Miriam Weeks为学费变身色情女星Belle Knox
《 ViVid Strike ! 》TV未放送第5.5话、第5.75话、第13话。
萨德是19世纪的法国情色文学作家他因作品被政府关入疯人院，然而，专制的枷锁只令到萨德更坚定地奋笔疾书，作品在疯人院里一部一部的诞生。疯人院的主管是一个开明的年轻神父。他也读萨德的小说，对萨德的才华和精神充满欣赏。他对萨德提供优厚的生活条件，让他专心写作，同时让洗衣女梅德林帮助萨德，把他的作品带到外面出版。梅德林与萨德之间也暗生情愫。政府容忍不了他伤风败俗，但他的作品却流传了下来。
这部电影大致是描述第二次大战期间的1942年夏天，在某一个度假海岛上，住着一位丈夫赴海外参战的美国少妇，一个邻居的少年暗地里迷恋着她，却不敢开口，少妇知道少年的心事，仿佛少年是她战死的丈夫，两人春风一度，第二天一早，她就远离他乡，只留下一张纸条－－温和的告诉少年不要会错意了，他们之间不可能有任何的发展和结果。
虎视虎子，就读于东京都立日之南高中的女高中生。
