姜甜离家去北京做一名室内设计师，一股劲地想攒钱买房，经营感情。当所有的一切都在往憧憬的方向发展时，姜甜却因得罪了公司领导而被调任到家乡的分公司，不得不与男友方元清分隔两地。分公司的职场环境与姜甜的想象相去甚远，她出人意料地与六十岁的吴敬芳成为同事。姜甜回京的计划因与男友分手而被打断，还为此丢了工作。失业失恋的姜甜无奈滞留家乡。吴敬芳带姜甜一步步走出颓丧的日子，为了学习设计，她成为了姜甜的助理。姜甜在吴敬芳的影响下找到个人发展及融入家乡的方式，吴敬芳也在姜甜的帮助下发现了自己全新的价值和可能性，重新融入竞争激烈的社会。两人在一次次的挫折中建立起深厚的战友情，在帮助别人建造理想中的家的同时，也坚定了各自未来要走的道路。
出狱不久的神秘男子，终日游荡在这个城市里，三年前的这个城市还有温暖，如今只剩下了恨，他只有两个愿望，把女儿葬在一直向往的南山，然后杀掉那个毁灭他生活的人……
玮柏（窦骁 饰）和哥哥都是极限运动爱好者，一场意外中，玮柏的哥哥不幸死于非命，玮柏将其中的过错都怪到了自己的头上，成日活在深深的自责之中。白天，玮柏只是一介名不见经传的小小职员，入夜，他则化身为自由奔跑在大街小巷之中的跑酷运动者，尽情挥洒心中的郁闷。 某日，玮柏得到了一段妹妹西黛（叶青 饰）被绑架的视频，追随着视频中的线索，玮柏千里迢迢赶往了韩国。在那里，跑酷已经成为了一项十分流行的运动，而玮柏若想救出西黛，就必须在名为“UG”的跑酷大赛上夺得头筹。面对诸多强大的对手，人生地不熟的玮柏能够获得最后的胜利吗？
根据晋江文学城大神非天夜翔同名小说改编，7.9亿点击积分神作，企鹅影视携手七瞳映画开启热血国漫新篇章！钟声敲响，病毒肆虐，你想怎么办？是退缩？还是勇往直前？是放下武器放弃希望；还是在乱世之中崛起，成就一段荡气回肠的英雄之歌？用热血和生命，捍卫人类美好家园！
因被人诬陷谋反而没落的官宦家之女，在女扮男装卖书糊口的过程中，与拥有帅气外貌的神秘书生相识后展开的故事。最后她发现原来这位神秘的书生是吸血鬼，而且在朝鲜宫中还有邪恶的吸血鬼存在。
一九七六年，二十岁的知识青年何再青回到阔别两年的城市，而何再青的人生理想是拥有一家什么都有什么都卖、童叟无欺的百货商店。于是他在追求梦想的道路上努力拼搏，也遇到了自己生命中的妻子，生意也越做越大。十五年后，何再青的双洲集团在全国八个省拥有100家商场，但也迎来了其他股东联手打压他的危机，最终他顶住压力，力挽狂澜，保住了双洲集团的声誉和财富。
该片讲述了丑娃娃们探索未知世界寻找真正自我的冒险之旅的故事。生活在丑娃镇上的丑娃娃们前往一个叫完美学院的地方探险，那里的娃娃们都精致漂亮，会在毕业前接受训练，然后被送到真实世界里成为孩子们心爱的玩具。小希要和小伙伴们在那里接受训练变身完美娃娃，这对于他们来说并不容易。小希能否完成蜕变，找到属于自己的主人，故事还在继续展开……
白晶丈夫嗜赌成性，输光家产后逼迫白晶去挣钱。雨夜，白晶意欲碰瓷，却遇到了抱打不平的刘志飞。刘志飞带白晶去和她丈夫理论，丈夫用刀要砍白晶，纷争中刀刺进丈夫自己的心脏死亡。刘志飞因过失杀人被判人狱五年，妻子误认为他与白晶有染。
ItIsNottheHomosexualWhoIsPerverse,ButtheSocietyinWhichHeLives(NichtderHomosexuelleistpervers,sonderndieSituation,indererlebt)istheearnesttitleofRosavonPraunheim’s1971PG-chastefirstfeature,whichhasagedlikegoodcheesefromascandaloussensation(apoliticalwakeupcalltogays)intoatextbookexampleofclassiccamp—andadelightfultimewarptripthroughqueercliché.Theverycolorfulcolorfilm(shotMOS)openswithvonPraunheim’scameratrailingtwofags—oneblonde,onebrunette—walkingdownasunnyBerlinstreet.Daniel,theshybrunette,isnewtothebigcityandblondeClemensisgenerouslyofferinghimaplacetostay.(WeknowthisbytheheavilyGerman-accentedEnglish,dubbedandspokenina“Sprockets”cadence.)“It’ssohardtofindsomeonewho’ssincere,”Clemens’voicesaysastheycuddleonhisbedbackattheapartment.“Ireallydigyou.”Then,fromoutofnowhere,agrave,German-accented,Moses-likevoiceoverexplainsthat“faggotslongforlovingrelationships”,but“liveinadreamworldofglossymagazinesandHollywoodmovies.”NownakedinbedwithDaniel,Clemensproclaims,“I’dliketothrowthewindowopenandshowthewholeworldhowwonderfulitiswhentwomenareinlove!”Andsoitgoes.DanielfussesoverhishairinthemirrorwhileClemens’heartsickTeutonicvoicenarratestheirnewfounddomesticbliss.“EveryhourandminuteIspentalonewastortureforme.”Luckily,thelovebirdsspendplentyoftimedoingthingslike“watchingtelevisiontofurtheroureducation”andhousecleaningtogether.Theyalsoreadorwriteletters.“DearMother,”Daniel’svoicebegins.Butalas,asClemensstaresintoacabinetchockfullofknickknacks,thatdamnnaggingMosesvoiceoverreturns.“Faggotstrytoimitatemiddleclassmarriage,”hehisses,holdingforthonthesubjectofmentaughttobeincompetitionwithoneanother,tobeself-involved—doomingthefaggotrelationship.Nextthingyouknow,Daniel’ssadvoicesighs,“Fourmonthshavepassed.I’vedecidedtoleaveClemens.”Thenajaunty,genialGermannarratorintones,“Danielwasoftencruisedbyawell-to-doman.”Andthere’sgirlfriendstrollingalongwiththetight-panted“benefactorathiscountryestate!”Astheystopforaglassofchampagnebesideastatue,Mosesabruptlythundersaboutthemyththatthehomosexual’s“interestintheartsisawaytomakelifemorebearable,”wheninreality“theartsareatoolfortherichandpowerful,”foritmakesit“mucheasiertogetthemintobed.”Cuttoapianoandawild-eyedfagsingingaboutDeutschland!Nearby,thebenefactorplayswithhisascot,agaudysilverringintheshapeofaninsectonhisfinger.Thecamerapullsbackandpansaroundtheroomfulofoldqueensrespectfullylisteningtotherecital.Mosesannounces,“Youthandgoodlooksaretremendouslyimportanttooldfags.”LikeHitchcock’sbirds,theelderlyMarysaresuddenlyswarmingoverpoorDaniel—whogetsnauseousandrunsoutthedoor.Thenit’sofftoanoutdoorcafé—withabigsignreading“MobyDick’s.”ThegenialGermannarratorinformsthatDaniel’sfoundanewjobworkingata“meetingplaceforhomosexuals”where“conversationsaboutfilm,fashionandphysicalculturegivehimideasabouthowtofillhisleisuretime.”Mosesbuttsintoaddthatfaggots“gathertolistentoNinaSimone,JudyGarlandandBarbraStreisand”and“gatheratFireIslandandSanFrancisco.”Heintones,“Fashionhastobelikeasecondskinthatsuggeststhesizeofthecock.”Asissysauntersdownthestreetinknee-highmoccasinsandshorts.Mosesalsowarns,“Theyoungfagmustgiveuphisinterestsformorehomosexualinterests.”Andthere’sDanielsunninghimselfwithhisfellowhomosexuals!Mosessnipes,“Hewasentrancedbyhisstrongbodyandbutchstyle”asatorso,hairychestandtightbluejeans,appearsinmediumcloseup.ThegenialGermanoffers,“Danielcouldsitforhoursandenjoybeingcruised.”Then:“WolfganghadalotincommonwithDaniel”asthetwomop-haired,mutton-choppedboysrublotionononeanother.Butallisnotwellinfairyland.MosesbringsnewsthatDanielhasbegungoingtogaybars—isbecomingaddicted!And,yup,there’sDaniel,wanderingaroundadarkanddingyhole.Mosesexplains,“It’seasyforfaggotstofindoneanotherbecausetheyofferthemselvesonstreetcornerslikewhores.”Cuttoaqueenhavingahissyfitinfrontofthebarasanothertriestocalmherdown,allwhileMosesholdsforthonsadfags,howtheydon’tknowhowtousetheirsexualfreedomforhappiness,howtheir“greatestenemyistheconspicuousqueen.”Twofairiesinshortshortsappearintheframe,fawningovertwoembarrassedfags.Moseslaments,“Danielnowhasnootherinterestthanbeingafag.”Cuttoamotorcyclegang,leatherboyscruisingoneanotheramongstthenighttimetrees.Theyfeelupeachother’szippers,chains,andstuds—aclothedgropefestasMosesteachesthat,otherthan“trans-westites,[who]longforwomen’sorgans,leatherfreaksarethefagswiththemosthang-ups.”Infact,“Theleatherqueersarereallynice,politepeoplewhosufferfromtheirownweakness.”Andthat’swhenDaniel,“boredwithtalking,”fatefullyleavesthebarscenefortheparkwherehe“slowlymadehiswaythroughthetensechoreographyofmen.”(SosayethMoses.)Cuttooutsideapublicrestroom(a“well-knownmeetingplace”).Menwhocruiserestrooms“despisetearoomtrade,”thevoiceofMosestrembles.Hustlers—“usuallyrunawaysfrombrokenhomes”whoare“oftennotqueer”—frequentthesespots.(Assortedhustlersandfagsmillaboutasapieceofroughtradestandslikeasentinelinfrontofthedoor.)Agroupofqueersemergeandpilecircus-styleintoacar.AnoldfagcruisesDanielbutstrikesout(duh!)beforegettingbeatupbyroughtrade.Nextup:adragqueensinginginamixedhomobar—atattooedleatherdaddystaringstoicallyfromatablenearby.Andthere’sDaniel!He’s“drowninghimselfinalcoholandcigarettes”whileotherfagstryto“forgetthemselvesinafranticatmosphere”—i.e.,ablackguyandawhiteguydoingachickendanceto“RockAroundTheClock”,whichblaresfromthejukebox.Anoldyodelingqueenappears.DanielseeshisfriendPaul,asksifhecangobacktohiscommunalpad.Andthat’swherevonPraunheim’sfilmfinallyreachesitsclimax—apsychotherapysessionwithagroupofnakedfags!Sittinginacircle,theyberateDanielintheirdubbedvoices.“You’vebecomearealfulltimefaggot!”“You’rebecomingneurotic,awhorewhodoesn’tevengetpaid!”TheTeutonicaccentsstartcallingforagayprideawakening,aconsciousness-raising“We’rehere,we’requeer!”movement.“Queensandbutcheshavetostopopposingandfighttogethersidebyside!”“Comeoutofthecloset!Taketothestreets!”“Eroticallyfree!Sociallyinvolved!”Thecommentarycontinuesevenasthecreditsrolloverapinkbackground—evenasIcan’tstoplaughingoverthe“trans-westites,”leatherfreaks,andglorioustearoomtrade.
又是一年万圣节，美丽女孩哈珀（凯蒂·史蒂文斯 Katie Stevens 饰）却跟家暴男友分手。对方心有不甘，即使在节日里仍对哈珀进行无止境的骚扰。夜幕降临，好闺蜜们已经装扮起来，一番死缠烂打终于将心情低落的哈珀带出房间。狂欢派对上，女孩们又认识了内森和伊凡两个大男孩。于是狂欢过后，这六个青年男女相约前往郊外的鬼屋寻求刺激。这间鬼屋煞有介事，不仅要求年轻人们签署协议，还必须把他们的手机收上来统一管理。完成入门手续后，哈珀等人进入鬼屋，结果第一场女巫残杀年轻女子的戏码就让她们大开眼界。受害女子凄惨哀嚎，折磨手段极其逼真，一度让年轻人们怀疑这是一场真实杀人秀。 很快他们的猜测得到了验证，因为杀戮正朝着这六个人展开……
