目嘉宾共同接手经营一家多功能便民小店，为村落居民提供日常物资和生活便利，通过劳动实践，展现社会主义新农村新风貌。
Sevendays,morethan1,000miles,20cars,twoboats,amotorbikeandonedream...ThePerfectRoadTrip.Theaim:toselecttheidealmodeoftransportforeachlegofapilgrimagefromVenice,ItalytoPauinFrance–hometoalegendarystreetcircuitandtheoriginsofGrandPrixracing.OnthewaywepreparebytakingtothetrackatMonza–thehomeofItalianFormulaOne.WetrytogetnoticedontheroadcourseinMonacoinaBugatti,aLamborghiniandaModelTFord.AftercruisingthecanalsinVenicewetaketothetarmacandthingslookgood-thankstotheFerrariF12BerlinettaandMercedesSLSBlack.ThrowinaPaganiHuayra,PorscheCaymanSandaGT3aswellastheAstonMartinVanquishcentenaryedition,BentleyV8convertible,RollsRoycePhantomcoupeandtheface-bendingBACMonoallseemsprettyperfecttous.There’sculturetoo.Anall-outefforttogettheBirminghamburger-boytosavourtheculinarydelightsofItalyandFrance–includingoctopusandanoldbalcony.Thenit’stimetoturnuptheheatevenmorewithaTopGearrace...andtheworstforfeitintelevisionhistory.FinallyweheadtothehistoricroadcourseinPau.SurelynothingcouldspoilourPerfectRoadTrip...Enjoy...!JeremyClarkson&RichardHammond
电影《嫌疑人》讲述了前岩狮市刑警队长张文拥有异于常人的超强记忆能力，在他遭到前同事不幸牺牲后，伤心而离职刑警队，然后受聘担任派出所民警，在他担任派出所民警期间，富豪熊秉承与《密杀》导演石迁在家中被杀害，而警方初步判断的犯罪嫌疑人则是熊秉承之子熊浩泽。在张文拨开层层迷雾后破获了这起“模仿杀人案”，但在结案后，张文发现背后还隐藏着一桩案中案的故事。
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
容簡介:Jinho，他的表弟，住在娜恩和米娜的姐妹家。Naeun 和 Naeun 正在單獨舉辦歡迎派對，他們喝醉了并且有外遇。
巴哈尔（歌什菲·法拉哈尼 Golshifteh Farahani 饰）是一名年轻的律师，她的家乡遭到了恐怖分子的袭击，在战火中，巴哈尔失去了丈夫，儿子也被恐怖分子囚禁成为了人质。而巴哈尔自己，同数千名和她经历一样的妇女一起被关进了监狱。依靠着自己的智慧和勇气，巴哈尔带领女人们从监狱里逃了出来，并且组织了名为“太阳的女人”的女子军队，她们向恐怖分子宣战，发誓要夺回属于她们的家园。
传闻，几十年前外星人曾开着飞船造访过下井沟，还留下了一样宝物。但如今的下井沟只是个平凡的东北小村庄，这扯淡的传闻压根儿没人信。
故事发生在位于加拿大的一个小村庄中，菲奥娜（菲欧娜·戈登 Fiona Gordon 饰）是个一辈子都生活在这里的姑娘，同时也是镇上图书馆的管理员。一天，菲奥娜意外的收到了玛莎阿姨（埃玛妞·丽娃 Emmanuelle Riva 饰）的来信，这位九十多岁的年迈亲戚向菲奥娜发起了求助，如果菲奥娜不能够前往巴黎照顾她，那么无依无靠的她将会被送进老人之家。 无奈之下，菲奥娜只得踏上了前往巴黎的旅途。在一场意外中，菲奥娜不慎落水，失去了所有的财务包括她的身份证明，更糟的是，当她抵达目的地时，却发现玛莎阿姨失踪了。在这座繁华但冰冷的大城市里无处可去的菲奥娜遇见了境遇和她差不多的流浪汉多姆（多米尼克·阿贝尔 Dominique Abel 饰）。
本片讲述了两个80后女孩为争取参加全军汇演名额而发生的故事。田奶奶的孙女李英在省城当模特，当听说二妹子民兵班有1个参加全军汇演的名额，她放弃现有工作，回到柳堡准备参加汇演选拔。马燕是土生土长的柳堡人，她也想参加全军汇演。因为只有1个名额，李英和马燕展开竞争，最后两人成绩都差不多。就在两人不分高低的时候，李英因为救一个火灾中的儿童，腿摔伤了。此时的马燕被李英的壮举感动，决定放弃参加汇演……
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