封神演义之斩仙飞刀

在商末周初战乱纷飞的时代，武王伐商，几番较量，商朝被周军将领杨戬打的节节败退。商纣王大怒，找出制衡杨戬之法重赏，军师申公豹进谏，悬赏招将，可将梅山七怪纳入麾下，因梅山七怪之首袁洪与杨戬一样精通八九玄功可七十二变，且袁洪精通多种妖术，能日行万里，神通广大，武艺高强，手使一条铁棍，喜爱打杀兼有大将之才能。纣王认为此法甚好，命申公豹即刻启程前往梅山，申公豹无视纣王的暴虐，经常游说三山五岳的同门和能人异士助商伐周，全力维护商王朝统治，深得纣王重视。

恨之入骨

Cindy(SaraDrust)returnstoherfamilyhomeafterthedeathofherfathertosettlesomedisputes.Seekingcomfort,sheisjoinedbyherboyfriendandfriends,however,shesoondiscoversthatthehousehidesaterriblesecret,onethatwillputthemallindanger…

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

德甲 科隆vs拜仁慕尼黑 (胡小凡、张力) 20231124

9月25日 23-24赛季法甲第6轮 巴黎圣日耳曼VS马赛

笑笑笑

《笑笑笑》鲍方是乐天知命的父亲，深爰中国相声艺术；在抗战中的天津，他带领一家人坚忍卓绝地渡过艰辛岁月，维系伦情于不倒。一些处境，如女儿石慧背地里替父亲通宵改作业簿，反被误解，很有“少年笔耕”的悲情感触：加插的滑稽相声表演亦甚有讽笑趣味、李萍倩导技圆熟、感情饱满，悲喜交集得恰如其份，首儿场节口气氛场面尤见情凋。整体颇能体现中国传统乐天积极的生命哲学。

沉默的约定

　　在一家巴西诊所里，做医生的爸爸约钦发现自己的女儿莎拉染上极度痛苦的病症。爸爸去找出原因，但没有任何线索。他决定追踪事情的原因，竟然发现女儿被秘密遣送回法国。更可怕的是，事情的真相将会完全地破坏他的生活...

娃娃奇缘第一季

讲述编剧Cody(肯德里克)发现男友(唐纳尔·罗格)貌似出轨了，对象是……一个性爱玩偶。这个会说话、有感知的塑胶娃娃用“在颠覆父权制之前，咱们都是性爱娃娃”等发言和活泼精灵的性格引起了Cody注意。在心理医师的建议下，她和娃娃踏上一场公路旅行，发展出友谊。

唐顿庄园第二季

该剧是英国ITV出品的古典剧，由荣获奥斯卡的金牌编剧Julian Fellowes一手打造， 明星云集的演员阵容极其耀眼。 　　第二季的故事从1916年到1918年康边停战协定。正值战争时期，壮年男性都去了前线参加战争，而Grantham伯爵Robert因为年龄而无法服役而留下。而唐顿庄园却因此遭到了男性劳动力的短缺。Grantham家三个女儿的命运也发生了改变。Mary为了掩盖年少时的丑闻不得已与一暴发户订婚，当回到唐顿发现Matthew已经订婚时，强忍悲伤。Edith一改往日张扬跋扈留在家中照顾前来疗养的士兵。Sybil不但投身于为女权运动还不顾反对与家中的司机结合。同样，在本季中，Bates和Anna的感情戏也加重了戏码。在这个战火缭绕的年代，这个家庭又会发生了怎么样的变化呢？

魔临

Rap：Public

《Show Me The Money》制作组新的原创综艺《Rap:Public》K-嘻哈选秀节目通过流媒体平台TVING播出，将展现个性强烈的Rapper们更加火热激烈的博弈……

谁是超级英雄[电影解说]

西追（菲力普拉绍 饰）是一名不得志的演员，某天他得到饰演超级英雄「扁福侠」的机会，原以为可以从此翻身，没想到一场突如其来的车祸让他失去记忆，误以为自己就是「扁福侠」本人，于是四处展开行侠仗义的行动...