如果有妹妹就好了小剧场

《如果有妹妹就好了。》的短动画《如果有○○就好了。》与本篇动画同时在官方Twitter配信，由森井健史郎监督，DMM.futureworks/W-Toon Studio制作。

突击行动

自从上次前往墨西哥援救美国议员任务中，丧失许多部属后，摩飞上尉一直深受恶梦困扰。 然而，上次他又接到上级命令，必须远赴墨西哥，协助当地人民脱离贩毒商人沙力东的魔掌，为了对抗沙力东邪恶的势力，他们将使用这架名为Active Stealth的最新科技武器作为前锋，应付墨西哥这群难缠的毒商。

功夫战警

　　因任务需要，三名年轻的武校学生——擅长持久搏击的辛小晶、头脑机敏的程唐、爱好跑酷的白大庆，凭借各自特长，获得队长张蓝的青睐，应征进入警队。三人潜入罪犯老巢，执行秘密抓捕。打响头炮后，特警队以武校学员为核心力量，组建了快速反应小组  “猎弓”小组，并在心理专家陈橙的指导下，为新人量身定制了地狱式训练三部曲，祛除他们的“野狐禅”习气，培养警队纪律性与荣誉感。敌人数度反扑，辛小晶等队员经历了一次次血与泪的洗礼，褪去青涩走向成熟，经受住了来自外在和内心的各种考验，成为了优秀的特警队员，始终坚守在保卫人民群众生命与财产安全的第一线。

选美皇后的倒带人生

Kate和Chloe是一对闺蜜。一天，她们收到了一封比赛邀请函。这次比赛参加的对象是那些在小时候参加过才艺比赛的人。在上一次的比赛中，幼小的kate和chloe出尽丑态，为了挽回颜面，她们决定应邀参加。但是，在去往比赛的途中却历尽艰辛。经济窘迫的两人上演了欧版的《人在囧途》。到底路途有多囧呢？

设计爱情

科尔，一个有抱负的二十多岁的编剧，决定写他迄今为止最雄心勃勃的剧本，策划一个异想天开，他的编剧偶像的女儿谈恋爱，来接近她有名的父亲，好在影视界崭露头角

邪恶国度

死亡阴影笼罩欢乐假期，三名到泰国度假的辣妹做了一个屠杀男伴的梦，发现这一切与她们意外释放屋内的怨灵有关。数十年前，八岁女童惨遭家人杀害并将灵体封印在铜像内，封印却在三人放肆无礼的行径下遭到破坏，梦幻般的热带假期瞬间变调成一场充满鲜血与尖叫的恐怖旅程……

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

时间逆流 (2018)

这是一个类似007的故事，主人公欧阳陷入了时间的死循环，原来这是一个虚拟的世界，而这不过也是一场权利的游戏。同时这是一部有关爱的电影，一部探讨时间与生命意义的电影，一部自我救赎的电影。欧阳，三十六岁男性，美国派往亚洲的CIA特工，属于美籍华人，外表风流倜傥，实则善良诚实，个性骄傲自信又坚强刚毅，是成熟的暖男。接到上级命令护送一位叫飞儿的女孩，职责是保护女孩的安全。但在护送途中却发生了意外……

逆转胜 逆轉勝

小香（黄姵嘉 饰）家中经营着一间台球馆，生意兴隆，客人络绎不绝。然而，当小香的父母不幸去世之后，台球馆的生意一落千丈，最终，巨额的债务使得台球馆不得不关门大吉，同时，来自黑道的讨债集团亦在不停的骚扰着小香。

窗子里的女巫

当西蒙带着他十二岁的儿子芬恩去佛蒙特州的乡村帮忙翻旧农舍时，他们遇到了莉迪亚的恶意精神，莉迪亚是他的前任主人。现在，随着每一次修复，她变得越来越强壮。

街头霸王2

隆（清水宏次朗 配音）和肯（羽贺研二 配音）是年轻的武道家，毕生的理想就是追求更强健的体魄和更强大的力量，为了磨炼技艺，两人结伴而行开始了周游世界的旅程，只为了寻找更加强大的对手，探索各自的极限。 　　一路上，两人遇见了许多和他们志同道合的好友——活泼可爱的春丽（藤谷美纪 配音）、刚正不阿的古烈（津嘉山正种 配音）、不断突破着自我的飞龙（船木诚胜 配音），好友们在一起切磋比试，彼此之间技艺都有了很大的长进，隆更是因为遇见了一位神秘的师父，习得了破坏力巨大的“波动拳”。他们共同的敌人是强大而又邪恶的维加，一行人能否团结一心，组织维加的阴谋呢？

我的徒弟居然是女帝