平原上的夏洛克

超英翻盖新房 ，占义、树河前来帮忙，没想到树河却因意外车祸入院，司机肇事逃逸，超英和占义化身“平原侦探”，踏上了一段令人啼笑皆非的荒诞追凶之旅。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

大谷翔平·超越梦想

　　投手大谷，打者翔平。凭借坚毅、热情同埋自信，日本棒球手大谷翔平由家乡小镇一直打到世界高峰，联同教练、队友、经埋人、导师接受深度访谈，揭开传奇背后的奋斗故事。

野性的呼唤2009

莱安（阿瑞尔·盖德 Ariel Gade 饰）的父母因为工作原因需要出国，于是将年幼的莱安送到了在蒙太纳山区生活的爷爷（克里斯托弗·洛伊德 Christopher Lloyd 饰）那里，莱安不太习惯山区的生活，也非常思念远方的父母，因此常常显得闷闷不乐。 　　一天，一只受伤的野狗出现在了爷爷家的门廊上，莱安收留了野狗，悉心的照料它的伤势。野狗的到来缓解了莱安对亲人的思念，很快，一人一狗之间就建立了信赖和友谊。莱安想要把野狗带回位于波士顿的家里当做宠物狗来饲养，但是爷爷知道，野生动物热爱自由的天性是永远不会被磨灭的，为了让莱安懂得这个道理，爷爷决定把《野性的呼唤》这本书读给莱安听。

坎大哈2010

1995年，一架运送军火的俄罗斯货机被塔利班扣留，机组人员在被扣押387天后以超人的勇气与智慧实现自救，成功逃离坎大哈机场，成就了现代航空史上的一个奇迹。

手足第一季

西班牙剧，胡安和阿尔韦托两兄弟都深爱着比希尼娅。比希尼娅是一个果敢的女人，她一心渴望成为知名的记者。生活将他们三人拆散，又使他们再相遇，并让他们看到，他们无法摆脱彼此之间的爱意。 　　当胡安-兄弟中感情更易冲动的哥哥，发现他的性格是如何给他造成各种各样的问题时，阿尔韦托则凭借其无止境的野心、战略性的伙伴以及钢铁般的决心站上了权力之巅...... 　　由安东尼奥·委拉斯开兹(狼舞之地)、阿尔瓦罗·塞万提斯(卡洛斯帝王)和玛丽亚·巴尔维德(天空之上三公尺)主演，这部迷你电视剧通过两个兄弟以及他们共同所爱的女人的视角，讲述了西班牙二十年的历史。其中包括了西班牙工业化、工会发展的高潮期以及八十年代的文化，这些事件共同组成了这段充满了爱情、激情、友情和背叛的故事。

回到爱开始的地方

北京女杂志社编辑纪雅清（刘诗诗饰）去云南普洱完成追寻一名台湾老人初恋的专题，遇见了台湾老人的孙子许念祖（周渝民饰）。两人为了同样的目的携手踏上普洱七日寻爱之旅。

巴比伦的陷落

托比·马奎尔和克里斯汀·韦格将与威尔·法瑞尔共同主演IFC六集迷你剧《巴比伦的陷落》。该剧描述依靠石油生意发家的Morehouse家族的故事，同时夹杂着大量的「非法武器交易」、「国际间谍活动」、「伊朗问题」、「次贷危机」等焦点话题。托比·马奎尔扮演孤儿Devon Morehouse，被即将成为石油大亨的Jonas Morehouse及其女儿Cynthia（克里斯汀·韦格）收留在家中，成了Janas的养子。Devon和Cynthia管理着Morehouse家族企业——在全球五百强企业中排名第七位。尽管Devon和Cynthia相互倾心，但他们不能相爱。

最美逆行

电影以一个广州家庭的战疫经历为线索：身为医生的父亲曾参与非典战役，17年后再度出征战新冠肺炎疫情，成为援助湖北医疗队的一员；女儿和女婿都是铁路公安，两人不惧危险，与已经感染新冠肺炎的逃犯搏斗，只为了保护人民群众的财产安全。

武灵剑尊

还有多远

小麦是个倔强的乡村男孩，喜欢收集电影胶片。对于废旧胶片他有自己的观赏方式并享受着它带来的快乐。临村放电影他因为胆子小而没有看成，因此遭到了其他孩子的嘲笑。于是他决定自己去看这部电影。村里有个叫小草的女孩决定帮助小麦一起寻找电影。她先是偷出自己家的自行车让小麦学，又央求当村长的爸爸到乡里打听，还有哪个村放那部电影。两个孩子处处留心，为了能打听到放电影的村子，着实下了一番功夫。终于小麦学会了自行车，消息也打听到了，于是他骑着小草偷出来的自行车上路了。他一路曲折地到了那个村子，令他失望的是那个村子却没有放电影。他又一路打听着找，也没有找到。天越来越黑了，更倒霉的是小麦还迷路了。经过一番周折，他在一个看瓜老人的指点下回了家，却发现电影正在自己的村子里放，但等他真正站定开始欣赏时，电影已经结束了。阮放映员看出了小麦的难过，破例又为这个热爱点电影的孩子单独放映了一场。这个夜上，阮放映员放了他放映生涯中的最后两场电影。因为明天，镇广播员小李就要把他告了，阮放映员将被取消做电影放映员的资格。后来，凭着对电影的热爱，小麦考上了电影学院，成为了一名电影工作者。那天夜上以后，小麦再也没见过阮放映员，也再没见过那个神奇的用一文钱、一壶酒、一条路、一杆枪就概括了世界的瓜地爷爷。只有这个夜夜和这场电影，深深地印在了小麦的心中，并让他最终走向了光与影组成的电影世界。

无间风暴国语

电影讲述了一起横跨全港的大型毒品案件，警方惨遭黑帮报复，死伤惨重，黑帮卧底山哥身陷囹圄，正义与邪恶的角斗已然拉开了序幕。