冒牌恋人

影片讲述的是一个男版“灰姑娘”的故事，朱江饰演的正是这位“灰男人”，当宅男遭遇冯媛甄饰演的美丽女主播，将发生怎样的故事？

百鸟朝凤

老一代唢呐艺人焦三爷（陶泽如 饰）是个外冷内热的老人，看起来严肃古板，其实心怀热血。影片表现了在社会变革、民心浮躁的年代里，新老两代唢呐艺人为了信念的坚守所产生的真挚的师徒情、父子情、兄弟情。 本片改编自肖江虹同名小说。

疗养

Charliegoestoaspatodryout,buthetakesatrunkofliquorwithhim.Hetangleswithanother’sgoutyfootinarevolvingdoor.Laterhethinksthegoutymanismakinglovesignstohim(hedoesn’tEdna,therealobjectoftheman’sefforts),sohesignsback.Heinterpetsamassagetobeawrestlingmatch.Whenmanagementthrowshisliquorintothefountain,whenflowthehealthfulwaters,everyonegetsdrunk.

黄蜂网络

20 世纪 90 年代初期，古巴飞行员瑞尼·贡萨雷斯（埃德加·拉米雷兹饰）叛逃到美国并开始了全新的自由生活，将他的妻子（佩内洛普·克鲁兹饰）和年幼的女儿留在了共产主义的祖国。但瑞尼并不只是一个简单的美国奋斗者新贵。他加入了南佛罗里达州的“黄蜂网络”。这个组织由一群古巴流放者组成，秘密特工曼努埃尔·韦拉蒙特斯（别名杰拉尔多·埃尔南德斯，盖尔·加西亚·贝纳尔饰演）领导。他成为亲卡斯特罗间谍圈的成员，负责监视和渗透古巴裔美国恐怖组织，这些组织企图攻击古巴这个社会主义共和国。 《黄蜂网络》根据“古巴五人组”（包括贡萨雷斯在内的情报官，于 1998 年 9 月在佛罗里达州被捕，随后因从事间谍活动和其他非法活动而被定罪）的真实故事改编，这是一部扣人心弦、风格独特的政治惊悚片，暗含多重深意，汇集了一群古巴国民和古巴裔美国流亡者，他们卷入了一场复杂而微妙的意识形态之争和忠诚与背叛的挣扎之中。 该影片改编自费尔南德·莫莱斯所著书籍《The Last Soldiers of the Cold War》，编剧兼导演奥利维耶·阿萨亚斯（《卡洛斯》《私人采购员》）带领强大的演员阵容（包括佩内洛普·克鲁兹、埃德加·拉米雷兹、盖尔·加西亚·贝纳尔、安娜·德·阿玛斯、莱昂纳多·斯巴拉格利亚和瓦格纳·马拉），在跨越这两个邻国的“镜厅”展开了一场爆炸性的紧急间谍游戏，两国长达数十年的对峙给现在带来了深刻的影响。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

10月30日 23-24赛季法甲第10轮 雷恩VS斯特拉斯堡

真相~聒噪吊唁的结局~

「明日の記憶」「2LDK」の三浦有為子が脚本を手がける本作。ある男の葬儀後にアトリエで出くわした女性3人が、その男に3股をかけられていたと知ったことから展開する、“精子バンク”が題材の会話劇となっている。

天才宝贝

在读高中的俊秀，衣食无忧却不爱读书，老是和朋友翘课鬼混，打起架来以一敌十七也绰绰有余。某天，俊秀的父母实在无计可施，留下10万韩元后就离家出走了。当晚，一个名叫乌兰的小婴儿从天而降，正好落在他的购物车里，身上带有一张纸条指明是俊秀的孩子。俊秀只好一边当起奶爸，一边找孩子的妈妈，生活变得忙碌起来。由于无人照顾，俊秀只好带着孩子去上学，却被学校勒令退学。同班的天才美少女金星，自愿帮他照看孩子，还一起为了收集母乳四处奔波。当俊秀对乌兰的感情加深时，乌兰身世之谜也慢慢被揭开

21-22赛季NBA季后赛东部R1G5 老鹰VS热火

4月27日 21-22赛季NBA季后赛东部R1G5 老鹰VS热火

安妮第一季

Devastated by the loss of her fifteen year old son, Kevin, at the 1989 FA Cup semi-final between Liverpool and Nottingham Forest, Anne Williams fights for the truth about the tragedy. Standing along side other parents who lost children in the match and refusing to believe the official investigation results, Anne seeks her own evidence in a relentless quest for justice.

故事贩卖机

本片由《驯兔记》《鬼打墙》《鸡汤泡面》《官能许愿》四个独立的城市怪谈故事单元组成郑渊洁笔下《驯兔记》反映了当下社会家长与学校对孩子的教育问题，引人深思；由曹云金主演的《鬼打墙》讲述了渣男酒店约美女惨遭“鬼打墙”；《鸡汤泡面》：都市白领当众被悔婚是怎样一种体验？《官能许愿》：如果器官可以用来许愿，你可以为爱情牺牲多少？

One

StoryofKadakkalChandran,theChiefMinisterofKeralawhoseuncompromisingattitudetowardscorruptionandhisdictatorialactionshasgainedhimalotofenemies.Theeventsgetsmoreintensewhenhefacesanallegation.