不曾忘记的承诺2

　　被朋友两个字隔开的两个人的故事。最好的朋友，Phupha和Nanfah，将传达一种爱，困惑和恐惧的关系。他们将如何跨越从朋友到爱人的界限？                                                                    　　The story of two people separated by the word friend. Best friends, Phupha and Nanfah, will convey a relationship of love, confusion and fear. How will they come to cross over the line from friend to lover?

潜艇总动员2

阿力和贝贝都是优秀的科研小潜艇，他们是一对非常好的拍档，在《潜艇总动员》中，他们共同完成了很多次的训练和任务，这一次，两个小家伙将面临什么样的神秘而有趣的挑战呢？                                                                            著名的海洋研究学家及水下考古考古学家苏红博士拥有四枚加勒比海盗藏在深海中的上古勋章的仿制品，四枚勋章分别代表了智慧、勇气、友谊和正义。这一天，苏红博士召集阿力和贝贝，交代他们如果能够完

纸年

Young newlyweds encounter a series of challenges during the first year of their marriage.

为爱放手电影版

《为爱放手》讲述了平面模特李莉（童菲饰）和乐队主唱谭耀（姜潮饰）两个处在迷茫期的年轻人相遇相爱，和一行人面对梦想、爱情、现实时的挣扎与选择。

血色浪漫

故事从文革后期开始，开始在地道的老北京城。钟跃民（刘烨）、张海洋（连奕名）、郑桐（马元）和袁军（刘亭作）是整天在京城闲晃的顽主儿。他们无所事事却有血性青年的阳刚之气与好学之心，当然他们的圈子里也有钟跃民拍婆子拍来的女友周晓白（孙 俪）。待父母平反，他们终于得到机会走出京城，参军或是下乡，到更远的地方去寻找梦想。儿时的伙伴四处分散，选择了不同的道路，初恋的情人也不得不离别。在他们最美好的十年青春岁月里，儿时的好友们各自历经坎坷，品味辛酸也收获着欣喜的成功。成长变化的是他们每个人，不变的是他们的友情和坚定上路的决心。如果人生是炼钢，他们是特种钢，是带有浪漫情怀的“老三届”。 

第二个世界

《第二个世界》是韩国JTBC电视台于2022年推出的音乐选秀节目。由Paul Kim担任节目主持人，金范洙、郑烨、郑恩地、徐恩光以及金珉硕担任节目评审。节目将由K-POP代表女子偶像组合的主Rapper参加此次比赛，展开激烈的歌曲对决，希望打破打破在偶像组合中，担任饶舌部分的成员唱歌实力不足的偏见，尽情发挥主唱的实力，展开全能艺人的第二个世界。

冰火奇缘

欧阳敬（柯有伦 饰）是一个整天沉浸在虚拟世界中的游戏宅男。一天家中停电，没办法玩游戏的欧阳敬陷入了百无聊奈之中，忽然，游戏中的冰女莱拉（安心亚 饰）和火女莉莉突然出现在了他的面前。 　　原来，制作游戏的程序员因为对老板怀恨在心，而在游戏程序中植入了一个破坏性的BUG，一旦这个BUG被触发，整个游戏世界将灰飞烟灭。为了保护自己赖以生存的家园，莱拉和莉莉不得不跨越次元来到现实中，去寻找唯一能够拯救他们的救世主欧阳敬。游戏里一下子少了两个重要角色，导致程序出现了错乱，玩家们纷纷表示出了强烈的不满，工作人员们忙的焦头烂额。

梦狱之国的爱丽丝

エロ『魔人』から、リョナ系エロスが登場！！今回の『魔人』レーベルパートナーは……リョナ系、ダウナー系同人ゲームサークル『つっきーのお茶会』超大作の同人ゲーム『夢獄の国のアリス』アニメ化第1弾！！！不思議の国のヒロインが、あんなに過激に、こんなに悲惨な目にあうなんて……。アニメオリジナルのヒロイン声優が、可愛く喋る、喘ぐ、なめ絞る！！夢獄プライス4，730円で、あっちの世界にイッちゃって◇

现在请开播

《现在请开播》是一档电商主播养成类的综艺真人秀节目。节目聚集了11位具有潜力的带货主播学员，学员中有毫无直播经验的行业小白，也有已在某个垂类领域颇有建树，但需进阶突破的现役主播。节目通过五大学习养成主题阶段、十期的内容，聚焦主播学员的成长经历和经验分享，在多位导师、行业专家的指导培训下，经过层层实战、考核，帮助他们成为具有个人魅力、专业素质过硬的行业新星。

同性恋不是变态东西，变态的是他所活着的社会

ItIsNottheHomosexualWhoIsPerverse,ButtheSocietyinWhichHeLives(NichtderHomosexuelleistpervers,sonderndieSituation,indererlebt)istheearnesttitleofRosavonPraunheim’s1971PG-chastefirstfeature,whichhasagedlikegoodcheesefromascandaloussensation(apoliticalwakeupcalltogays)intoatextbookexampleofclassiccamp—andadelightfultimewarptripthroughqueercliché.Theverycolorfulcolorfilm(shotMOS)openswithvonPraunheim’scameratrailingtwofags—oneblonde,onebrunette—walkingdownasunnyBerlinstreet.Daniel,theshybrunette,isnewtothebigcityandblondeClemensisgenerouslyofferinghimaplacetostay.(WeknowthisbytheheavilyGerman-accentedEnglish,dubbedandspokenina“Sprockets”cadence.)“It’ssohardtofindsomeonewho’ssincere,”Clemens’voicesaysastheycuddleonhisbedbackattheapartment.“Ireallydigyou.”Then,fromoutofnowhere,agrave,German-accented,Moses-likevoiceoverexplainsthat“faggotslongforlovingrelationships”,but“liveinadreamworldofglossymagazinesandHollywoodmovies.”NownakedinbedwithDaniel,Clemensproclaims,“I’dliketothrowthewindowopenandshowthewholeworldhowwonderfulitiswhentwomenareinlove!”Andsoitgoes.DanielfussesoverhishairinthemirrorwhileClemens’heartsickTeutonicvoicenarratestheirnewfounddomesticbliss.“EveryhourandminuteIspentalonewastortureforme.”Luckily,thelovebirdsspendplentyoftimedoingthingslike“watchingtelevisiontofurtheroureducation”andhousecleaningtogether.Theyalsoreadorwriteletters.“DearMother,”Daniel’svoicebegins.Butalas,asClemensstaresintoacabinetchockfullofknickknacks,thatdamnnaggingMosesvoiceoverreturns.“Faggotstrytoimitatemiddleclassmarriage,”hehisses,holdingforthonthesubjectofmentaughttobeincompetitionwithoneanother,tobeself-involved—doomingthefaggotrelationship.Nextthingyouknow,Daniel’ssadvoicesighs,“Fourmonthshavepassed.I’vedecidedtoleaveClemens.”Thenajaunty,genialGermannarratorintones,“Danielwasoftencruisedbyawell-to-doman.”Andthere’sgirlfriendstrollingalongwiththetight-panted“benefactorathiscountryestate!”Astheystopforaglassofchampagnebesideastatue,Mosesabruptlythundersaboutthemyththatthehomosexual’s“interestintheartsisawaytomakelifemorebearable,”wheninreality“theartsareatoolfortherichandpowerful,”foritmakesit“mucheasiertogetthemintobed.”Cuttoapianoandawild-eyedfagsingingaboutDeutschland!Nearby,thebenefactorplayswithhisascot,agaudysilverringintheshapeofaninsectonhisfinger.Thecamerapullsbackandpansaroundtheroomfulofoldqueensrespectfullylisteningtotherecital.Mosesannounces,“Youthandgoodlooksaretremendouslyimportanttooldfags.”LikeHitchcock’sbirds,theelderlyMarysaresuddenlyswarmingoverpoorDaniel—whogetsnauseousandrunsoutthedoor.Thenit’sofftoanoutdoorcafé—withabigsignreading“MobyDick’s.”ThegenialGermannarratorinformsthatDaniel’sfoundanewjobworkingata“meetingplaceforhomosexuals”where“conversationsaboutfilm,fashionandphysicalculturegivehimideasabouthowtofillhisleisuretime.”Mosesbuttsintoaddthatfaggots“gathertolistentoNinaSimone,JudyGarlandandBarbraStreisand”and“gatheratFireIslandandSanFrancisco.”Heintones,“Fashionhastobelikeasecondskinthatsuggeststhesizeofthecock.”Asissysauntersdownthestreetinknee-highmoccasinsandshorts.Mosesalsowarns,“Theyoungfagmustgiveuphisinterestsformorehomosexualinterests.”Andthere’sDanielsunninghimselfwithhisfellowhomosexuals!Mosessnipes,“Hewasentrancedbyhisstrongbodyandbutchstyle”asatorso,hairychestandtightbluejeans,appearsinmediumcloseup.ThegenialGermanoffers,“Danielcouldsitforhoursandenjoybeingcruised.”Then:“WolfganghadalotincommonwithDaniel”asthetwomop-haired,mutton-choppedboysrublotionononeanother.Butallisnotwellinfairyland.MosesbringsnewsthatDanielhasbegungoingtogaybars—isbecomingaddicted!And,yup,there’sDaniel,wanderingaroundadarkanddingyhole.Mosesexplains,“It’seasyforfaggotstofindoneanotherbecausetheyofferthemselvesonstreetcornerslikewhores.”Cuttoaqueenhavingahissyfitinfrontofthebarasanothertriestocalmherdown,allwhileMosesholdsforthonsadfags,howtheydon’tknowhowtousetheirsexualfreedomforhappiness,howtheir“greatestenemyistheconspicuousqueen.”Twofairiesinshortshortsappearintheframe,fawningovertwoembarrassedfags.Moseslaments,“Danielnowhasnootherinterestthanbeingafag.”Cuttoamotorcyclegang,leatherboyscruisingoneanotheramongstthenighttimetrees.Theyfeelupeachother’szippers,chains,andstuds—aclothedgropefestasMosesteachesthat,otherthan“trans-westites,[who]longforwomen’sorgans,leatherfreaksarethefagswiththemosthang-ups.”Infact,“Theleatherqueersarereallynice,politepeoplewhosufferfromtheirownweakness.”Andthat’swhenDaniel,“boredwithtalking,”fatefullyleavesthebarscenefortheparkwherehe“slowlymadehiswaythroughthetensechoreographyofmen.”(SosayethMoses.)Cuttooutsideapublicrestroom(a“well-knownmeetingplace”).Menwhocruiserestrooms“despisetearoomtrade,”thevoiceofMosestrembles.Hustlers—“usuallyrunawaysfrombrokenhomes”whoare“oftennotqueer”—frequentthesespots.(Assortedhustlersandfagsmillaboutasapieceofroughtradestandslikeasentinelinfrontofthedoor.)Agroupofqueersemergeandpilecircus-styleintoacar.AnoldfagcruisesDanielbutstrikesout(duh!)beforegettingbeatupbyroughtrade.Nextup:adragqueensinginginamixedhomobar—atattooedleatherdaddystaringstoicallyfromatablenearby.Andthere’sDaniel!He’s“drowninghimselfinalcoholandcigarettes”whileotherfagstryto“forgetthemselvesinafranticatmosphere”—i.e.,ablackguyandawhiteguydoingachickendanceto“RockAroundTheClock”,whichblaresfromthejukebox.Anoldyodelingqueenappears.DanielseeshisfriendPaul,asksifhecangobacktohiscommunalpad.Andthat’swherevonPraunheim’sfilmfinallyreachesitsclimax—apsychotherapysessionwithagroupofnakedfags!Sittinginacircle,theyberateDanielintheirdubbedvoices.“You’vebecomearealfulltimefaggot!”“You’rebecomingneurotic,awhorewhodoesn’tevengetpaid!”TheTeutonicaccentsstartcallingforagayprideawakening,aconsciousness-raising“We’rehere,we’requeer!”movement.“Queensandbutcheshavetostopopposingandfighttogethersidebyside!”“Comeoutofthecloset!Taketothestreets!”“Eroticallyfree!Sociallyinvolved!”Thecommentarycontinuesevenasthecreditsrolloverapinkbackground—evenasIcan’tstoplaughingoverthe“trans-westites,”leatherfreaks,andglorioustearoomtrade.

绝地逢生(原声版)

本片根据真实事件改编。描述一对夫妇攀登雪山却遭遇险境……

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