23-24赛季德甲第14轮：霍芬海姆vs波鸿

暂无简介

更美好的事第五季

　　由Louis C.K.及Pamela Adlon主创，该剧算是Pamela Adlon半自传性质剧，讲述一位中产单身母亲女演员，如何整天工作之余，还照顾起三个女儿，而且她还得抽空应付住在对面街的英国籍母亲（Celia Imrie饰）。

警察与卡车强盗

剧情简介:一个绰号”土匪”的卡车司机跟别人打赌,说是他能在28小时内从德克萨斯州到乔治亚州的亚特兰大.为了赶时间,飞车,超速是免不了的,公路警察当然是不会坐视不理的,于是一路追赶拦截.一路上险象环生,可就是抓不住他. 简    评:虽然本片的故事简单和只能成为飞车场面的籍口,但片中的动作部分却拍出了漫画般的生动热闹,充分满足观众的感官层次要求,几位主角也演出了特色.

识骨寻踪第十季

《Bones》第十季将于美国时间9月25日（周四）晚8点回归。FOX电视台表示这一季很可能是该剧的最终季。经过十个季度的磨合，骨头姐和Booth步入了婚姻的殿堂。

背影

影片承袭朱自清同名散文的父爱主题以父爱为主要线索，用电影的方式讲述一个生动的亲情故事。九十年代一个贫困的小山村。十二岁的少女春秀早年丧母，与父亲和瘫痪在床的奶奶相依为命。父亲罹患肺癌，只有短暂的生命，所以他与桂兰结婚，希望在自己离世后，将春秀托孤给她。可是没想到，桂兰在嫁过来前早已患上子宫癌，也不于人世，并且有和桂兰爹一样的目的。开始，他们相互隐瞒了自己的目的，但在三个月的共同生活中，双方都各自发现了对方的秘密，谁也没有说破。出于对孩子真挚而崇高的爱，父亲决定坚守这个秘密。没多久，桂兰和父亲病故，春秀用她羸弱的双肩，代替父亲肩起了一家的重担。本片所有演员均启用非职业演员。

初春狸御殿

　　传说在咔嚓咔嚓山上，住着当年被兔子用计烧伤的老狸猫精泥右卫门和他的女儿小狸猫精阿黑，泥右卫门作恶多端，是独霸一方的混混头领，但阿黑忠厚善良，淳朴孝顺。某日父女俩意外误入狸国宫殿，因偷窥狸猫公主绢姬被捕，这对相依为命的狸猫父女究竟会碰到怎样的奇遇呢。。。

女演员们

　　片中的演员们均以自己的本名出演，剧中的大量对话也均出自于演员们的即兴表演而非剧本。                                                                    　　故事发生在寒冷的圣诞节前夜，杂志社开启了一个特殊的专题，召集不同年龄段的女演员们，共同拍摄一辑以她们为主题的写真。就这样，曾经红极一时但如今已经过气的尹汝贞和李美淑，资质最浅但目前风头最劲的金玉彬，身材火辣个性不羁的金敏姬，由于出演电视剧而在日本有着大批粉丝的崔智友，看似自信但对自己的脸庞很不满意的高贤贞，这样六个个性都极为强烈的女人们聚到了一起。在高贤贞咄咄逼人的挑衅之下，现场的气氛开始变得紧张，而拍摄使用的珠宝又迟迟不来，无聊之中，女演员们提议举办一场圣诞晚宴，一场关于女演员这个特殊的职业和她们所拥有和期望的人生的探讨开始了。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

纸的城堡

就读某艺术名校美术系的女孩荷西，一直很喜欢班上个性腼腆却才华横溢的同学马克，而马克和另个同学杰米一起住宿舍里。有天，荷西接受马克的邀约，随他到了宿舍，却就在两人宽衣解带之际，杰米竟突然回来了，三人于是发生了超越世俗规范的x愛关系 hellip; hellip; 同时和两个男孩上床后，荷西感到羞愧之际，却直觉这可能是场预谋：先由腼腆的马克出面当诱饵，慧黠的杰米再加入战局、坐收渔利 hellip;。但当荷西与他们深入交往后，马克的才华与杰米的野心，却都让她相当激赏，三人于是开始同居在一起。但让荷西困惑的是，他们三人虽然经常一起ML，马克却从没和她单独做，而总爱看她和杰米做，并进而达到高潮 hellip;，让她对他们之间的关系产生怀疑 hellip; hellip; 荷西母亲的生日快到了，她要荷西带男友回家为她庆生。这虽让荷西有些苦恼，但她最后仍决定邀请马克和杰米一起参加 hellip;。荷西母亲会发现他们三人不寻常的「同窗爱」吗？他们奇特的「同床爱」又能持续下去吗？而马克和杰米之间，又真藏有什么秘密吗？一场湿透油彩画作的狂情爱欲即将登场 hellip; hellip; 影片改编自曾获;西班牙情色文学奖 rdquo;的情色小说，艺术名校的三名优异学子，因为同时钻研绘画艺术，朝夕相处下，竟意外发展出一场难分难舍的三人情欲。

公主日记

15岁的高中生米亚（安妮•海瑟薇 饰）与母亲生活在美国，但她十分不自信，也常常遭到同学的嘲笑。就在她16岁生日那天，她与祖母（茱莉•安德鲁 饰）见面后发现这个优雅的女士是欧洲小国吉诺维亚的女王，米亚正是这个国度的公主。刚开始米亚十分不愿，在母亲的调解下米亚的态度才有所缓 和。

城市女猎人

一个刚过世的亿万富豪的女儿聘请私家侦探陈查理去侦查一个美艳高贵的女人。此女人行将与另一亿万富豪杨少游老先生结婚，而此自命风流四十载的杨先生是皇家师姐的父亲。皇家师姐原出于大家，年幼丧母，其父杨才游由于爱妻太深，故对他亡妻貌有相似的女人都拼命追求，以图填补心灵的空虚。师姐自然不能谅解，而杨老先生对于独生女儿不爱惜千金之躯去当警察亦是十分气恼……

速度与激情3：东京漂移

东京，一直是改装汽车爱好者的天堂，复杂狭窄的街道成为了他们用激情和速度去拼杀的赛道。由于东京街道的弯道极度，在这样的路线上比拼速度，单纯的速度是无法获得胜利。所以，东京的街道赛变成了漂移技术的比赛。男主角尚恩（卢卡斯·布莱克 Lucas Black 饰）注定是个失败者，在学校毫无朋友，唯一能发泄的地方就只有街头赛车，在经历一次非法赛车被警方通缉后，为躲避牢狱之灾，不得不离开美国，到东京他在军中服役的父亲家中。可是父亲的专制，让尚恩觉得与其格格不入，每天仍然沉迷于街头赛车中。东京赛车极高的漂移技术把尚恩深深吸引，并结识了“漂移之王”DK（布莱恩·泰 Brian Tee 饰）。由于与日本的犯罪集团扯上关系，尚恩不得不为弥补自己的过失再次比赛，而这次比赛的赌注却是自己的生命。一场东京狂飙，就此拉开……