帅气的恶魔

Ned和Conor被迫住进了寄宿学校的同一间宿舍，一个是在橄榄球疯狂的学校里被欺负的文艺少年，一个是新到而被寄于厚望的球星队员，他们俩却悄悄地发展出一段深厚的友谊，直到引起了其他人的质疑。

反转人生2022

　　讲述遭遇校园欺凌的“三无少女”沐想想（周依然 饰）与愤世嫉俗的校霸富二代乔南（⻢思超 饰）关于⻘春的”自我“旅行。

希布

Theeb是狼的意思，1916年狼孩未熟时，与哥哥胡森相依为命，学习沙漠道理，英国士兵与阿拉伯随从到来，要胡森带他们去找鄂图曼帝国铁路旁的一口井，Theeb不想被撇下，吊着尾，结果一起遇上伏击，他要迅速成长，无情砲火轰开血液里的狼腾印记英国出生的那智阿布诺华也是大无畏小狼，用了四年完成首部长片，回到祖籍地约旦沙漠拍摄（《沙漠枭雄》亦在此取景），以小孩的心性和目光，在历史不留痕的沙漠上重建失落的游牧民风和天地意志。获威尼斯影展地平线最佳导演奖。

十八年后的终极告白粤语

　　十八年前的一段孽恋看似被淡忘，但随着一幅封尘的画作重现，和这段孽缘有关的人和事被一一抖出，引起轩然大波，一发不可收拾……尚谦与妻子锐婷由英国回流返港。谦是一名画家，出道十数载依然寂寂无名，得婷在旁督促，才未有放弃。画廊老板志浩是谦的好友，谦的一幅旧作被浩视为「沧海遗珠」，经浩大肆宣传，谦终于一尝成名滋味。这幅画作令谦回忆起沈越，十八年前，二人曾有过一段暧味关系。越突然出现，要挟揭发谦的偷画恶行！为了延续「偷来」的成就，谦请求越帮忙；为了生计，越接受谦开出的条件。经过多番接触，二人感情升温。婷与浩发展婚外情，欲结束并修补夫妻关系时，却发现谦有外遇。婷找私家侦探调查谦，循着线索追寻到一商厦，期间被神秘人袭击，她由天台堕下，倒卧血泊中，惊悉眼前的神秘人竟是……

入侵者

在经历过创伤后，Inés患上了睡眠障碍，并被恶梦缠身。梦寐以求的人物想占有她的身体吗？NataliaMeta制作的高度原创的心理性惊悚片。

千年小金龙

　　玩具三厂因涉嫌侵犯著作权被判罚款，处境十分困难。厂长王海龙焦急万分，正巧大学生白冰冰上门推销自己设计的贺岁玩具。王厂长如获至宝，马上决定秘密投产。不料玩具一厂通过设计员得到消息仿照生产，造成混乱。王厂长又因保密与妻子发生误会。经过一番周折，王厂长感化了设计员，并捉弄了一厂厂长，终于打了个翻身仗，将贺岁玩具小金龙在新千年到来之际推向了市场。

动物是有灵性的#变种狂蜥

　　影片讲述阿发和三叔经营的“害虫克星”的灭鼠公司，误打误撞受丽晶大酒店所托前来灭鼠，就在探查老鼠行踪之际，他们偶然发现楼下酒家竟违法经营山珍野味供大款进食，猎人大龙将不知名“蜥蜴”带来酒店，在“蜥蜴”的肆掠下酒店店员一个接一个神秘失踪，一场惊心动魄“灭虫”之旅即将展开......

干爹的条件

　금수저로 태어나 굴곡 없이, 고생 없이 산 최기남.　　좋은 교육을 받고, 대기업을 다니다 일찌감치 유산을 물려받아 건물주로 살아간다.　　좋은 남편, 좋은 아빠. 하지만 그는 일명 ‘슈가대디’죄의식 같은 건 없다.　　이것도 일종의 사업 같은 것이라고 생각한다.　　서로 필요한 것을 주고 받는 것일 뿐. 인생 공짜는 없다.　　그런데, 어느 순간부터 굉장히 신경이 쓰이는 아이를 만났다.　　그 아이에겐 뭔가 더 특별한 슈가대디가 되고 싶어진다.

世界奇妙物语2021夏季特别篇

《世界奇妙物语 2021夏季特别篇》一共有4个故事。其中《似曾相识感》由上白石萌歌主演，《三途川的奥特莱斯公园》由加藤成亮主演。

四叶银行原岛浩美有异议！～把赌注压在她身上～

该剧改编自周良货原作，梦野一子作画，1993年至1997年在《MORNING》杂志连载的漫画作品，时隔20年改编真人日剧。真木阳子在剧中饰演主人公原岛浩美，在都市银行工作，总是把顾客放在第一位，作为管理人员努力推进工作。

乌龙派出所国语

日本漫画史上长达30年连载纪录保持者《乌龙派出所》（作者：秋本治），将在近日发售三十周年纪念企划之一：《超级龟Tribute小说》，这套长寿的漫画作品目前发行量已经达到1亿3千万本，总销售金额超过200 　　亿日币。 　　此次《超级龟Tribute小说》的作者阵容可谓豪华至极，全都是着名的小说家：大泽在昌、逢坂刚、京极夏彦、石田衣良、东野圭吾、今野敏、柴田芳树。能够请来这些大师，除了秋本治的面子够大外，集英社的招牌可不是盖的！这些名作者将分别以《乌龙派出所》为主题，创作精彩的小说。 　　《乌龙派出所》(原名:《こちら葛饰区龟有公园前派出所》，翻译的意思就是《这里是葛饰区龟有公园前派出所》，翻译名在香港及澳门常常被采用)，因为原名太长，所以通常简称《こち龟》（Kochikame，这里很龟），是从1976年除一度短期休载后一直连载至今30年的作品，作者秋本治。连载在...

马隆布拉[电影解说]

This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream.　　Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge...　　What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent.　　It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels　　So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!