怒火凤凰

少女迪儿（杰佳·亚宁 JeeJa Yanin 饰）自幼生活在一个破败的家庭，母亲早年离她而去，长大后和一班同好组成乐队，最后却遭乐队抛弃。心情极度郁闷的她借酒浇愁，结果被一帮衣着怪异的家伙绑架。危急时刻，身手敏捷的年轻男子萨尼姆出手相助，打败了这群狂恶之徒，并将迪儿带回自己的住所。在这里，迪儿见到了萨尼姆的两个朋友，他们胡言乱语、酒气冲天，却和萨尼姆有着同样敏捷的身手和高超的武功。一过一番波折，迪儿请求他们传授自己武功，经过相当长时间的训练，迪儿学到一身奇特的醉酒武功。 艺高人胆大，迪儿向绑架、贩卖妇女的黑道组织发起挑战，在这一过程中，她渐渐了解到萨尼姆的过去……

云上的人家

影片以灾后重建为背景，通过一个名叫无素子的羌族普通母亲，展示羌族百姓对待自然、生命、灾难等问题的态度和思考。

洛神2002粤语

袁熙阵亡，遗留下了还与之成亲的甄宓（蔡少芬饰），意外为曹植（马浚伟饰）救于曹丕（陈豪饰）的剑下。甄宓是出了名的才貌双全，更被誉为当世三大美人之一。曹操垂怜于她的美色，以是故人后代为由接到府中代为照顾，企图日久生情纳为妾室，后被聪明机智的甄宓以英雄长辈的称呼婉拒。而曹操儿子众多，尤为出众的当属长子曹丕和才子曹植。二兄弟都暗自倾心于甄宓，原本亲密无间的兄弟情谊因此渐生狭缝。而甄宓则是早为曹植的才情吸引，对曹植芳心暗许。而后的机缘错过让甄宓嫁与了后来称帝的曹丕，而痛不欲生的曹植则放任自己，更是作出千古佳作《洛神赋》来表达对甄宓的感情。但生性多疑善妒的曹丕百般刁难二人，一段佳话就此无缘，以悲剧告终…

如果可以这样爱

白考儿（刘诗诗饰）是一名电台主播，她曾经有过一段婚姻，但是丈夫不幸去世了。白考儿很久都没能够从丧夫之痛里走出来，直到有一天她邂逅了名叫耿墨池（佟大为饰）的钢琴家。起初，性格大相径庭的两人之间常常产生矛盾，但随着时间的推移，两人由恨转爱，渐渐产生了真挚的感情。这段来之不易的感情遭到了白考儿亡夫的哥哥祁树礼（保剑锋饰）的强烈反对，为了破坏两人之间的关系，祁树礼想出了许多的损招。最终，白考儿和耿墨池在纷纷扰扰之中坚定了选择彼此的信念，可就在这个节骨眼上，耿墨池却被查出患有先天性心脏病，一对苦命鸳鸯这一次要面对的，有可能生离死别。

都市愛情網絡

内详

不安分的年轻人们

Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy...　　　　Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time.　　　　Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958.　　　　Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading.　　　　Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.

我的朋友叫哈维

本片的主角艾尔伍德是个中年男人，同时也是个酒鬼。然而他常常臆想出来他有个好朋友——一只六英尺高的兔子。艾尔伍德向他的姐姐和侄女介绍这只名叫哈维的兔子。大家都认为他的神经有问题。他的姐姐忍无可忍，想把他送进疯人院。

替嫁红颜

神颜王爷沈泽寒被刺客暗杀无意中闯入刘心语闺中，沈泽寒和刘心语一吻定情，并留下了玉佩做定情之物。玉佩被闺蜜于佳瑶花言巧语骗走了，于佳瑶还通过易容换脸鸠占鹤巢。幸运的是沈泽寒与刘心语阴差阳错还是相遇了，只是他们却要面临着更大的考验。

别岁

下乡老知青周树达在返城大潮中，遗弃当地妻儿回到原籍，过上了高级知识分子生活。而在三十年后，周树达再次踏上了这片许久未见的土地试图弥补他曾经犯的过错。被他遗弃的儿子陈乐结束了八年的牢狱生活出狱后，遭遇妻子改嫁，并留给自己一个八岁患有自闭症的儿子。在好友帮助下，他找到一份修理厂的工作，并在出租屋里邂逅了性工作者雅茹。然而在儿子多次被学校拒绝上学后，陈乐做了一件再次摧毁命运的事情……

白色闪电

大赛失利后，被迫放弃职业道路的张若饴重回校园。陌生的环境里，曾经让她陷入阴影的乒乓，反而成为了劈开迷茫的一道光球台上，她结识队友；赛场外，她收获友情。这一次，少女决定，用尽全力，挥拍击向未来

相思入骨不识卿

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马奇男孩

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