变身男女

两人女人偶然相遇。玛德琳是一名家庭主妇，而露西是一名年轻的演员。她们各自的生活都过得很不愉快。于是，她们形成了一个约定，答应去做对方要求自己做的任何事情。然而玛德琳隐藏了一个秘密。她知道，露西其实是自己丈夫的情妇。露西“要求”玛德琳参加一出《李尔王》的演出。玛德琳扮演李尔王(xxys5.com)，而露西扮演愚人（The Fool）。结果，这让玛德琳的生活发生了意想不到的改变。就像李尔王这个人物一样，她在道德与背叛，忠诚与爱情之间挣扎和备受煎熬。

给我一个爸

1988年的布拉格，大提琴手路卡（ZdenekSverák饰）丢掉了乐团的工作多时，只能靠为殡仪馆伴奏和修补墓碑为生。这位大龄单身汉在女人面前颇有魅力，他也乐此不疲，但困窘的生活让他不得不违背初衷，与一位苏联女子假结婚以获得报偿。婚后几日，苏联女子转道投奔西德，将五岁幼子科里亚（AndreiChalimon饰）丢给路卡抚养，路卡有一搭没一搭的用对方听不懂的捷克话向科里亚抱怨苏联人的霸道，同时还要应付警察对假结婚的追查以及敌视苏联人的母亲。路卡拜托多位女友照顾科里亚，这对父子也慢慢产生了对彼此的依赖，不久苏联政府要接回孩子，路卡趁着八十年代末混乱的形势，带着科里亚离家出走……本片获1997年奥斯卡最佳外语片奖，1996年威尼斯电影节荣誉奖等十几项褒奖。

圣堂风云

1920年代的大上海，诡谲多变，列强划界，日本虎视眈眈。雷惊涛和柳光夫分执商界和银行界牛耳，为各自利益激烈争夺。柳莫原、黎介扬和江至豪是失散多年的结拜兄弟，他们虽各为其主，却有着共同理想——希望有一个和平、幸福的未来。上一辈的争夺冲不垮兄弟间的情谊，他们合纵连横，开始了一次又一次惊心动魄的行动，而女警员宋晓荷、雷惊涛之女雷茵茵的出现，为残酷的斗争增添了几抹亮色。日本间谍段霓裳潜伏在三兄弟身边，屡屡破坏他们的计划。日军大举进犯上海，三兄弟组织义勇队，配合十九路军开始了激烈的阻击战。在日寇威胁下，莫原、介扬为减少生灵涂炭，甘当人质；至豪也在深爱的段霓裳和民族大义间，作出痛苦的抉择。乱世下的三兄弟，为了理想同甘共苦，开始了新的奋斗。

欧洲的某个地方

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.　　To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.　　At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.　　Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.

摆脱陷阱：利尔贝比的故事

It follows the career of Atlanta rapper Lil Baby and his rise in rap and pop culture.

马路天使 馬路天使[电影解说]

1930年代，小云、小红（周璇）姐妹被人骗到上海卖给琴师和妓院老鸨夫妇，小云被迫做了暗娼，小红年纪尚小，又天生有一副好嗓子，便随琴师去茶楼终日卖唱。姐妹两人住在贫民窟，在她们对面，住的分别是报贩老王和吹鼓手陈少平（赵丹）。因为闲来无事时陈少平常同小红对窗玩闹，两人渐生感情。 小红卖唱时被流氓古成龙缠上，对方欲强霸她为妾，小红找陈少平商量对策，两人本想借助律师将正义伸张，不想律师双眼只认钱，无奈之下只得逃走，而这一过程中，老王对小云由怜生爱，可是小云却因自卑不敢正视。琴师偶知陈少平与小红下落，放风给古成龙，古成龙赶到小红住处时，屋里只有她和小云，两人生命危在旦夕。

盖世豪侠

　　江湖之中一直有一个传说，谁人能得到孤刀残剑，谁人就能习的上乘武功，武林之中便再无敌手，成为武林至尊，可没人知道孤刀残剑的藏匿地点，就单单为了一张孤刀残剑的地图，每个武林中人都各怀鬼胎，四处拼杀寻找地图的下落，只有武林盟主処天极从蛮人手中获得了地图更是想据为己有，谁料藏匿地点有一相当厉害的高手在看守孤刀残剑，処天极屡战屡败，只好设计将地图信息让画家用画展的方式透漏到江湖中去，自然有更厉害的高手前去挑战，等双方两败俱伤好从中浑水摸鱼，半路再截取孤刀残剑，可惜処天极计划失败，被一个叫狗嗨的愣头青，从村里出来闯荡江湖的路上给破坏了，狗嗨成了唯一看过地图信息的人。

上流社会

讲述了隐藏身份的财阀之女找寻爱情和金钱的价值的故事

行尸走肉：外面的世界第一季

讲述末世后成长起来的第一代青少年，和丧尸们的故事。主角为两个少女，聚焦其中谁会是好人，谁会变坏。

遇见莫妮卡

托比（达斯汀·英格拉姆 Dustin Ingram 饰）的性启蒙老师，是一位名叫莫妮卡（金·凯特罗尔 Kim Cattrall 饰）的成人电影明星。所以，当他的得知莫妮卡此时正在几百英里开外的一个小镇上进行表演时，毫不犹豫的决定驱车前往。 　　可是，直到面对面见到莫妮卡后，托比才发现，站在眼前的这个略微有些发胖的中年女人，和自己在银幕上看到的性感撩人风情万种的女明星之间，有着天壤之别。时光的流逝让莫妮卡再也无法吃青春这碗饭了，如今她只能靠着在低端的夜总会里表演脱衣舞来养活自己的孩子。托比的到来让给莫妮卡灰暗的人生带来了一抹亮丽的光彩。

隔世追魂

美丽女警在警队积极工作，深受欢迎，又爱上了很有爱心的富豪帅哥。偏偏这时候杀人凶案连连发生，经过一番侦查，凶手竟然可能是幽灵，到底是人犯案还是幽灵呢？

鳏夫的旅程

1815年8月，在北卡罗莱纳州，一个农民鳏夫在回家的路上，他每年销售他的产品，购买股票和商品后，他将需要过冬。在他的旅程中，他遇到一个离家出走的奴隶——一名年轻女子，她正在被追杀。他决定违反法律，帮助这个奴隶获得自由……